The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
With a clever script that successfully updates many Christmas myths and dialogue that crackles with sophisticated wit, this movie offers the kind of pre-holiday experience that parents and children alike will appreciate.
The surprise gift of the season: a sharp, savvy holiday comedy that doesn't get its laughs at the expense of those who start to glow in the early days of December. It's a most entertaining package indeed.
Arthur Christmas gets a little sappy toward the end -- it is a Christmas movie, after all -- but it otherwise strikes just the right combination of naughty and nice, reverent and irrelevant, holiday-sweet and Aardman dry.
It's good. Frantic, yes, sometimes aggressively so. There's some padding in the airborne sequences built to exploit the 3-D format. But a tender and upbeat spirit informs the writing and the execution.
The plot may be a little too cluttered for the toddler crowd to follow, but the next age group up should be amused, and the script by Peter Baynham and Sarah Smith has plenty of sly jokes for grown-ups.
Arthur Christmas feels less insularly British than previous Aardman releases; there's plenty here for all ages and nationalities, including the sly but entirely welcome suggestion that female characters have been under-credited in previous yuletide tales.