The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
My preference for the remake over the original has more to do with its harsh representation of contemporary state corruption and its unsentimental ethical distinctions than with its success as a thriller.
You've got to smile at a movie that puts two key female characters in high heels and skimpy dresses and brazenly insists that it makes perfect sense that they be dressed that way for a shootout in the middle of a snowstorm.
Making a B-movie out of an old A-movie -- which is what Carpenter did -- is smart and fun. Making an A-movie out of an old B-movie -- which is what director Jean-Francois Richet tries to do here -- is just sort of silly.
Jean-François Ríchet, the director of the new Assault, is working from a script, by James DeMonaco, that creates a handful of zingy one-note lowlifes but that hasn't updated the isolated-precinct premise in a timely or thoughtful way.
Stars (the Carpenter version didn't have any) Ethan Hawke and Laurence Fishburne provide enough gravitas to keep things involving even as some of the supporting characters fight a losing battle with caricature.