The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Like a pig-iron fisted metaphor, Astro Boy the film resembles the robot, in that it is cobbled together out of parts we recognise. And as much as they don't sound like they could all work in one film, they don't.
Any critic who complained about the lack of story in "Where the Wild Things Are" should be forced to watch the escapades and high jinks of "Astro Boy" on a loop until they realize that activity is not to be confused with actual storytelling.
Almost 60 years after his comic-book inception, the iconic Japanese robot Astro Boy finally makes his cinematic debut in a feature that, unfortunately, feels as if it has been assembled from spare parts.
Like a lot of movies, Astro Boy has been designed to function on different levels and serve different audiences, but in this case these multiple meanings and points of address have created a confusion of tone.