The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
With all the makings of a cult, this hit-and-miss hoot is as weird - and certainly much sillier than you'd expect - of a comedy produced by Stefanie 'Twilight' Meyer but directed/penned by the co-writer of Napoleon Dynamite.
an interesting diversion that holds a lot of promise at first, is pleasant but generally underdelivers throughout, and then almost redeems itself with a last-minute twist that almost makes sense considering the movie's core weakness.
Based on the 2007 book by Shannon Hale, all the ingredients for a deft, sly, sleight-of-hand comedy are there. But the film is all over the place. The tone is off, the timing is off, the cutting is off. And it's just not funny.
What might have made a five-minute skit becomes an extended exercise in taking a joke for a walk round a country house before allowing it to crap on the terrace and then stamping it to death on the manicured lawn.
Countless romantic comedies have looked to the novels of Jane Austen for inspiration, but you'd be hard pressed to find one so at odds with the author's spirit than the coarse, slapdash and painfully witless Austenland.