The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Hardcore fans will find enough to enjoy here, but I found the pace at times slow, the visual effects somewhat disappointing (particularly compared to The Winter Soldier) and the story less than engrossing.
With delectable James Spader voicing Ultron, a robotic artificial intelligence programme, and an opening sequence with The Avengers battling a terrorist group in a frozen wood, Whedon has more than delivered on his promise.
This blockbuster sequel has a plot more convoluted than the Biblical begats. Knowing that the New Yorker critic Anthony Lane was stumped as well makes me feel slightly better. But it didn't make the movie-going experience any more enjoyable.
That Joss Whedon is able to address the changing beliefs and needs of each of the characters in Age of Ultron is impressive to say the least. That he does so in a way that feels believable is, well, pretty marvelous.
It really, really feels like the 11th exhausting film in the unstoppable ring cycle of movies based on the Avengers comic-book heroes -- a vast and increasingly dull series of blockbusters planned out, terrifyingly, as far ahead as 2019.
Convoluted, messy, and over-stuffed, The Avengers: Age of Ultron also somehow manages to be an incredibly enjoyable ride. Each of the actors bring their A-game, and each of their characters has their own moment to shine.
It's as entertaining as holiday fireworks: initially exciting, which fades; then just loud, and finally the sense of time wasted because everything you just watched was pretty, but utterly meaningless.