Batman Returns - Movie Reviews - Rotten Tomatoes

Batman Returns Reviews

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½ February 12, 2017
Batman Returns was the second Batman film to be directed by Tim Burton. It was also the last. The script is an improvement over its predecessor, but still isn't very good. The story is great, though, along with Danny Elfman's haunting and emotional score. I really enjoy Tim Burton's take on Gotham City, and I only wish it could've lasted longer, but alas, it did not. Even though Burton still shifts to his freak-show formula, the film itself isn't bad, and is very enjoyable, not just as a superhero film, but as a horror film, as well as a Christmas flick.
½ February 9, 2017
It does have some weak moments, but Keaton is still the best actor to dawn the Cape and cowl and does very well here. DeVito and Pfeifer are great as well. Sets are a little over the top. Plot works, but not great. Some really great ties in to the 1989 film. Probably one of the top 3 films of the franchise.
January 30, 2017
Surpasses its predecessor and develops into a darker movie, despite some silly moments.
January 28, 2017
BATMAN Returns is a dark, brooding, and brilliantly crafted film, but with the strange and poorly acted character named Catwoman, it doesn't live up to BATMAN 1989.
January 25, 2017
Michelle Pfeiffer is fantastic. Just a bit too long
½ January 21, 2017
Tim Burton returns to direct this sequel which is on the whole even better than the first as Burton and others involved from the previous film were able to expand and learn from their experience with the first. The atmosphere and general tone of this film is much darker and the action is far more violent, the cast is excellent, the score is even more epic this time round and even though the villains aren't quite as strong as Nicholson's The Joker that is made up for by quantity, biting social satire and great sexual flair from Catwoman.
January 13, 2017
It's good movie to watch
½ January 10, 2017
Batman may not be my favorite comic-returnted in a -movie story ....but this was pretty cool ! SOMVIDEO
December 29, 2016
This has wonderfully over-the-top characters, a great cast, excellent direction, and an exquisite score.
December 29, 2016
Weirder than the first film and it has gotten a huge face lift - effect-wise. It's a very similiar story. Some crooked villains doing bad stuff to Gotham, and Batman is on the case.
This time the most crooked guy is a Penguin-man. He is not as strong as The Joker when it comes to punchlines. He is not as good acted out eiter, but he is nastier and more repulsive. More serious in a way. The girl is important this time too, but Michelle Pfeiffer never nails it as Kim Basinger did. The Catwoman stuff is not a success for me.

So, a little weaker story, wackier but not better other than when it comes to effects.
OK entertainment, but it's going down hill with the elder Batman-series I'm afraid.

6 out of 10 CD-scratches.
½ December 22, 2016
Liked it more than the first one
½ December 22, 2016
Triumph for the sequel to the Batman of Tim Burton, he succeeded in creating in the spirit of Christmas in Gotham, with bad exceptional and first-rate
½ December 18, 2016
Flawed but still enjoyable adaptation of Batman, that while doesn't hold up as well in comparison to the "Dark Knight Trilogy", has a style that can't be denied. Keaton delivers his solid work from the first one but receives mixed support from the cast. Danny DeVito is atrocious as the Penguin, playing him as a disgusting monster over the suave crime boss in the comics, and you never buy he can trick Gotham into voting for him as mayor. Thankfully, Michelle Pfieffer is electrifying as Catwoman, lighting up the screen ever moment she's on it (even her early moments as a bumbling secretary are hilarious). She even livens up Keaton, as the two show nice romantic chemistry and reminds everyone Catwoman is the best love interest for Batman. Behind the camera, Tim Burton crafts a stylized & beautiful version of Batman that improves over the original and makes great use of the Christmas theme (Gotham looks gorgeous in the show). However, the story is inconsistent and goes a bit out there at times (the image of an army of Penguins with rockets on their backs is ridiculous). There is a hint of the supernatural, which is interesting, especially with Catwoman suddenly turning into an acrobatic villain, along with seemingly being unable to die. Plus, Danny Elfman actually improves on his brilliant score from the first film. Overall, a flawed and not accurate Batman film, but enjoyable nonetheless. Plus, this & "Iron Man 3" are the only superhero Christmas movies we got so far.
December 1, 2016
Batman Returns really steps up it's game by making it a little more expanded with it's dark atmosphere, characters and story.
November 22, 2016
a classic gets better with time. Dark and gruesome
November 21, 2016
Probably my favourite Batman movie.
November 5, 2016
I love Batman Returns, It's my favorite Batman movie of all time.
Keaton is better and shows more of Batman and the direction by Tim Burton is gothic and epic as now.
October 19, 2016
"Batman Returns" is just as good as it's predecessor.(Some actually consider it to be even better) Michael Keaton once again gives a solid performance as "The Caped Crusader" and in addition the new cast members: Danny DeVito and Michelle Pfeiffer also do a great job. The movie features a much darker tone than it's predecessor, that adds both strengths and weaknesses to the final product. Overall I think that like it's predecessor, "Batman Returns" isn't perfect but it's entertaining enough for me to say that it's great.

8/10 - Great
½ October 9, 2016
Watchable, but easy to drift away from. Some good acting from Keaton doesn't save it from some odd writing choices.

2.5 stars
October 6, 2016
With Batman being a refreshingly dark superhero spectacle, Tim Burton's follow-up effort to direct Batman Returns sounded very promising.

It takes a while before the full effect of Batman Returns can be embraced. The way that the antagonists enter the screen in a gothic circus fiasco fits the style of Tim Burton's auteur legacy very nicely, but at the same time it feels a little too familiar to the manner in which he treated Joker in the first Batman film. He increases his scope this time around and broadens his focus onto many more characters. Neither Bruce Wayne or Batman actually make an appearance in Batman Returns until 12 minutes into Batman Returns, and this once again this leaves a meandering level of exploration into the mind of Bruce Wayne and his superhero identity. Still, Tim Burton's big ambitions remain admirable. There are a lot of characters that Tim Burton wants to extensively characterize in Batman Returns, and though this may come at the expense of the titular hero once again, it allows for a large scale exploration of the Gotham universe which broadens things intelligently. There are always sporadic familiar elements in comparing Joker to The Penguin, but it is the innovations that take a more prominent stand than the familiarities in the sequel. As a result, Tim Burton creates a gothic spectacle that transcends the entertainment value of the first film.
The combination of gothic and cartoon element that Tim Burton explored in the first film are pushed further in Batman Returns, transitioning into even darker territory. The tale is much more sadistic and blunt, and there is a passionately nihilistic tone in the film which shows Tim Burton exploring his deepest reaches of creative madness. He explores the full extent of evil within the universe of Gotham by showing it on multiple fronts, exploring the crimes of multiple citizens and how their actions create more criminals in the process. There are many characters and subplots to the film, but audiences are never bombarded by the narrative as there is a consistent interaction between all of them. The script manages to balance out an understanding of most of the characters fairly well even if Batman doesn't get as much as he deserves, and the dialogue is both serious and occasionally comical in the style of the source material.
From a technical perspective, Batman Returns is a stunning feature. Though the film plays out almost entirely in the night-time, Tim Burton manages to find many different colours within this setting by lighting up the screen with a variety of shades and flashes of light. The scenery manages to perfectly convey the Gotham setting with extensive dedication added to the production design in support of this, and the cinematography captures the large scale of it all. But it's the costume design and makeup that really shines in this film. Batman returns in his iconic attire, but it's mainly the appearances of Catwoman and Penguin that really make a stand. Catwoman's suit is a sexy tight leather attire combined with the sight of inconsistent needle threads and the face of Michelle Pfeiffer made to look all the more pale. With Penguin, Danny DeVito has an artificial nose and even more pale skin combined with black rings around his eyes, as well as a formal suit complete with a top hat. The sights of these characters is unforgettable, and it makes for a strong visual experience. There are also some powerful action scenes in the film which are supported by the Academy Award nominated visual effects, as well as some strongly timed editing.
And with all this to support them, the cast of Batman Returns deliver some really powerful performances.
Michael Keaton is once again a solid lead in Batman Returns. Though his characterization and screentime is even less than it was in Batman, Michael Keaton still contributes enough of a cold-edged performance to make an imprint. The main focus of Bruce Wayne's characterization in Batman Returns centres around his relationship with Selina Kyle, as well as how he attempts to manage it and maintain his alter-ego at the same time. The chemistry he shares with Michelle Pfeiffer is one of a subtle passion, though the story does not descend into melodramatic romantic conventions in the process. The story doesn't capitalize fully on what Michael Keaton is capable of as Bruce Wayne, but it still emphasizes his heroic talents as Batman. Michael Keaton's talents for hand-to-hand combat are used more extensively in Batman Returns, and the scenes combine his skills with slapstick humour which proves to boast action value and a comic touch at the same time, oscillating between the two without converging them into some kind of silly action comedy. Given that Michael Keaton has a strong legacy for his comedic skills, it is refreshing to see him using them in a subtle fashion within a very action-oriented context. Michael Keaton is effectively dark and heroic in his return to the role of the caped crusader, losing none of his touch since the first film.
Danny DeVito is an actor known for his comedic persona as a short weasel with a temper, though he has proven to have a dramatic flair too. In Batman Returns, he combines both elements while going in an all new direction. As a result, he creates a truly dark and sadistic character who considers evil to be a sick pleasure. It would be easy for the character to fall into the territory of being a novelty, but in actuality Danny DeVito is brilliant in the role. He gets so lost in the part that he becomes bent on a psychotic obsession with bringing darkness to Gotham and destroying Batman. There are elements to the role which do feel borrowed from Jack Nicholson's portrayal of The Joker from the previous film, but Danny DeVito makes them seem so inherent to him and the character that it feels natural. Danny DeVito epitomizes the full extent of Gotham's darkness in his portrayal of Oswald Cobblepot since he was born with deformities and abandoned by careless parents, becoming raised in the underground. The way that Danny DeVito conveys his character's absolute hatred for the world with a malicious physicality and line delivery that he spits out with a commanding tone of voice proves to make a very powerful impact on the experience. Danny DeVito's performance is one of the darkest by anyone in a Tim Burton film, and that is a hell of an achievement.
Selina Kyle is an interesting character. At first she is characterized as a stereotypical blonde character, a working girl who has the smarts but not the guts to take a stand for herself. Playing with conventional characters, Tim Burton characterizes her to at first as a stereotypical weak female character before giving her a massive change of course. The more conventional romantic subplot from the first film's given an innovative twist this time around due to the way Selina Kyle is treated once she transitions into being Catwoman. Catwoman essentially exists in her own universe as she is a damsel-in-distress turned antagonizing antihero whose motives are always personal as part of the film's odd pro-feminist message. Her independence and physical capabilities makes her a heroic figure while her intentions are conflicting. It's all very complex because Catwoman is characterized not as an extension of Selina Kyle but rather an entirely new creation, and the complex psychology of the character is captured flawlessly by Michelle Pfeiffer. But as well as this, she ends up being an innovative combination of campy sadism and slick seduction at the same time. Michelle Pfeiffer captures the complicated nature of Selina Kyle and Catwoman with unprecedented mental and physical dedication, making her an unforgettable asset to the feature. She is the real star of the show here.
Christopher Walken also brings in a strong supporting effort. He essentially plays an archetypal version of himself and perhaps the most generic of the main characters, but the star's natural charm and sophistication makes him more than convincing in the part. He plays with the manipulative nature of his character well and manages to subtly make an intimidating presence.

So although Batman Returns essentially reduces its titular character to being a secondary character in his own story, the multiple villains of the story constructs a large scale front for Tim Burton to explore his iconic gothic style in a dark action medium fueled by powerful set pieces and strong performances.
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