The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It flits to and fro between them, often at dizzying speed, in a way that for a long time is quite enjoyable and yet always carried the danger that my head might explode. Batman... Superman... Batman... Superman... Lex Luthor!
There is much to claw through here, so much so that the audience might easily find themselves exhausted from the overall aggression of the film. However, a lot of the story does work. The action is good, and the emotion feels real most of the time.
Snyder knows how to paint a picture but perhaps needs to stay away from the writing process. Watch the Ultimate Edition when you can, and see if it changes how you feel about the movie. It sure did me.
Snyder has brought a different edge to the superhero genre, one that questions what drives these men of steel and creatures of the night to do what they do and believe what they believe. There is something to admire in that.
You take the good. You take the bad. You take them both and there you have a Zack Snyder film. It's par for the course for anyone who's followed his films. A little pleasantry and a little frustration mixed together.
In this age of petty Marvels, most comic-book movies merely perpetrate fantasies of power, but Snyder, enacting his personal aesthetic, braves a film that examines those fantasies. He boldly challenges popular culture's current decay.
Too competent to be universally panned, too disjointed to be universally praised, too anticipated to be a new revelation, too beloved in subject to be easily dismissed, the film will be one people either passionately love or passionately hate.