The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Daniel Barnz's movie certainly doesn't have any inner depth behind its slick surface, but Neil Patrick Harris's nifty wisecracks, Mary-Kate Olsen's spooky glares and the brisk pacing means that Beastly isn't quite as hideous as you might imagine
Hudgens is a likeable on-screen presence, Olsen a complete riot, and Pettyfer teases teeny bits of a performance as a genuinely unpleasant baddie that could be the making of him one day, should the right script come along.
Resistance to this sort of commingling of the classical tale with the high school milieu is, as ever, totally futile, and to its credit, Beastly doesn't try so hard to fit within the framework of the fairy tale that it bends itself all out of shape.
Oh, yes, the script is a little ham-fisted, plowing through exposition and establishing character with a steam shovel, but in a tale like this, sometimes being obvious and cutting to the chase can be a virtue.
Roses and love bloom, and you might giggle yourself sick, but this is the kind of cornball entertainment that rainy afternoons were made for. Throw in a cozy sofa too. Beastly will size down well on your television.
It takes guts to transform heartthrob Alex Pettyfer into a disfigured hero for the bulk of Beastly, a contemporary retelling of Beauty and the Beast. It takes even more guts to do it differently than the book's fans might expect.