De Battre mon Coeur s'est Arrêté (The Beat That My Heart Skipped) - Movie Reviews - Rotten Tomatoes

De Battre mon Coeur s'est Arrêté (The Beat That My Heart Skipped) Reviews

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Jonathan Rosenbaum
Chicago Reader
April 7, 2010
Niels Arestrup is striking as the hero's slumlord father.
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Bill Muller
Arizona Republic
September 29, 2005
None of this would work without Duris' simmering performance as Tom, a person who's struggling to find his true calling.
| Original Score: 4/5
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Noel Murray
AV Club
September 26, 2005
From its plot to its look, The Beat That My Heart Skipped is designed to express how it feels to be torn between two opposing worlds and passions.
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Dallas Morning News
August 27, 2005
Full Review | Original Score: C+
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Tom Long
Detroit News
August 19, 2005
Audiard has a nice stride here, establishing Tom's world and then altering it with slow insistence.
| Original Score: B
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Terry Lawson
Detroit Free Press
August 19, 2005
Audiard has wisely avoided the crime-movie clichés of Toback's Fingers, and if his film is not exactly naturalistic, it is steeped in a reality that makes it all the more compelling.
| Original Score: 3/4
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John Hartl
Seattle Times
July 29, 2005
Emotionally richer than Fingers, and there's nothing secondhand about Duris' performance.
| Original Score: 3/4
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James Berardinelli
ReelViews
July 29, 2005
This is character-driven film noir, where the violence serves a higher purpose than shocking or titillating an audience.
Full Review | Original Score: 3/4
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Steven Rea
Philadelphia Inquirer
July 28, 2005
Duris' performance is more finely tuned and less frenetic than Keitel's enjoyably over-the-top job, and the film's emotional chords resonate in more satisfying and complicated ways.
| Original Score: 3.5/4
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Eleanor Ringel Gillespie
Atlanta Journal-Constitution
July 28, 2005
It's a tense, jumpy, sometimes amusing work that posits the inherent duality of everything. And, most definitely, the intriguing duality of people.
| Original Score: B
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Robert Denerstein
Denver Rocky Mountain News
July 22, 2005
A French movie that reclaims some of the urgency and breathless enthusiasm of the movies we loved in the '70s.
| Original Score: B+
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Ty Burr
Boston Globe
July 22, 2005
The film confirms director Audiard as a master of visual mood, in this case one of barely expressed emotional panic.
Full Review | Original Score: 3.5/4
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Andrew Sarris
New York Observer
July 21, 2005
The conceit of a strongarm hoodlum doubling as a concert pianist seemed really silly to me back in 1978, and it seems no less silly today.
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Ann Hornaday
Washington Post
July 15, 2005
The Beat That My Heart Skipped, in which Audiard has tightened the story while opening it up, works precisely where Fingers failed.
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Michael Wilmington
Chicago Tribune
July 14, 2005
A French film that takes the hard-boiled poetics of American noir and squeezes them into an explosive, compacted knot of anguish and violence.
| Original Score: 3.5/4
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Michael O'Sullivan
Washington Post
July 14, 2005
Plays like a piece of mediocre music, gorgeously rendered.
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Roger Ebert
Chicago Sun-Times
July 14, 2005
The Beat That My Heart Skipped doesn't replace Fingers, but joins it as the portrait of a man reaching out desperately toward his dying ideals.
Full Review | Original Score: 3/4
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Mick LaSalle
San Francisco Chronicle
July 8, 2005
Beat is shot elegantly, and it's entertaining throughout, though in the end one might well ask what does it all mean?
Full Review | Original Score: 3.5/4
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Stephanie Zacharek
Salon.com
July 7, 2005
Jacques Audiard's The Beat That My Heart Skipped is a distinctly modern picture with its heart in the '70s: It has the nervous, kinetic energy, and the swaggering pioneer spirit, that marked '70s American filmmaking.
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Kenneth Turan
Los Angeles Times
July 1, 2005
A blistering film you feel in the pit of your stomach, a jumpy, edgy piece of work that thrusts us into a personal maelstrom so tortured and intense, the emotions could be spread with a knife.
Full Review | Original Score: 4.5/5
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Lisa Rose
Newark Star-Ledger
July 1, 2005
A mess of pretense, too hip and cool to concern itself with emotional logic or narrative cohesion.
| Original Score: 1/4
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Kyle Smith
New York Post
July 1, 2005
This stylish, tightly coiled character study has notions of turning into a thriller but never quite does.
| Original Score: 3/4
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Jack Mathews
New York Daily News
July 1, 2005
Like most adaptations, Jacques Audiard's Parisian update of James Toback's brilliant 1978 Fingers will have fans of the original wishing it had been left alone.
| Original Score: 2/4
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Manohla Dargis
New York Times
June 30, 2005
Superb remake [of James Toback's Fingers].
Full Review | Original Score: 4/5
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Eddie Cockrell
Variety
June 30, 2005
A cocky French remake of James Toback's 1978 cult underworld character study Fingers that stands reasonably well on its own as an urgent, updated genre meditation on nurture vs. nature.
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Scott Foundas
L.A. Weekly
June 30, 2005
If Audiard's film is less relentless and, ultimately, more hopeful than Toback's [Fingers], it is no less compelling a study of the attempt to harmonize seemingly dissonant forces -- tenderness and brutality, classicism and modernity, France and Vietnam.
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Gene Seymour
Newsday
June 30, 2005
Even if it weren't a fascinating thriller in its own right, The Beat That My Heart Skipped would deserve attention for being one of the few remakes that honors its source by paring down instead of adding on.
| Original Score: 3.5/4
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Owen Gleiberman
Entertainment Weekly
June 29, 2005
The Beat That My Heart Skipped lacks the screw-loose existential vibrance of Fingers, yet it teases out a romantic underside to the original I never quite knew was there.
Full Review | Original Score: B+
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Michael Atkinson
Village Voice
June 28, 2005
Duris, capable and dull, is no Keitel, 2005 is no 1978, and The Beat That My Heart Skipped is no Fingers.
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Kirk Honeycutt
Hollywood Reporter
June 27, 2005
Has a jumpy and moody vitality.
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David Denby
New Yorker
June 27, 2005
Audiard could have made the romantic side of the movie more explicit, but reticence is part of his cool.