Mary Poppins Returns
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No consensus yet.
No consensus yet.
All Critics (31)
| Top Critics (12)
| Fresh (28)
| Rotten (3)
"Beauty Is Embarrassing" is an undeniably likable film, mainly because White is a likable guy who believes comedy is at least as important as tragedy.
Neil Berkeley's infectiously affectionate portrait of artist, puppeteer and genially profane provocateur Wayne White.
An amiable if not especially urgent celebration of the life and work of Wayne White.
It remains a story at all times - there's a moment at a book signing that will give you a big smile and goosebumps - and it keeps throwing great things to look at up on the screen.
His art is a force that can't be contained: No wonder he felt so at home in the warped environs of Pee-wee's Playhouse.
The doc meanders occasionally, but we're grateful when it comes back to White and his creations.
And so [Wayne] White continues to be his own man, as it's clear from this well-crafted documentary that he always has been.
This is certainly not to suggest that White's work is worthless or unimpressive, but the way it is sold to us is predictable and unclever.
Judging from this documentary, his character is as exuberant as his work, and he seems to be one of those lucky people who simply can't stop creating...
If for no other reason, the film should at least be seen for its visuals -- or, rather, for White's visuals.
Using animation, CGI and stop-motion, and mixing analog and digital video, director Berkeley transforms 'Beauty Is Embarrassing' into a White-inspired but Berkeley made work of pop-folk art
It's ... indulgent, not admitting that White's new gimmick wears out its welcome, and never making the case that White deserves his own documentary.
A wonderful documentary on the creative genius that is Wayne White. I would have loved to have heard more about the Pee Wee's Playhouse era but to do so would have harmed us in learning more about Wayne. An amusing tale.
Although this documentary wouldn't look out of place as an episode of Sundance's Iconoclast series, this look at Wayne White, the warped mind behind the look of PEE-WEE'S PLAYHOUSE, has so much heart that I'm not mad about seeing it in a theater. A simultaneous celebration of individualism and family, the film looks at the lifelong journey of a singular artist who is forever in pursuit of his own voice. From his distinctive Southern roots to his boho NYC existence to his accidentally falling into puppeteering, Wayne White is the best kind of outcast - a man who takes "found art" to new levels, who finds beauty in sticks, cardboard, and assorted junk. He finds joy in the simplest things, and like a true artist, he is forever in discovery mode. The father in a family of artists, we experience the loveliness of a wife who is strong support yet is on her own artistic adventure. His two children, also artists, help complete the perfect colony. You can't help but root for this thrilling team.
The film is oddball, almost impressionistic - much like its subject. It becomes deeply moving, however, when he journeys back to his hometown to start a project with a lifelong friend who experienced a much-different artistic life. They work on a project together which almost feels like the statement of their lives. They engage an entire school's art department to build a larger-than-life puppet and prance it around town. To see the looks on the eyes of the children as they gape at this creation is to truly know how much art can mean to people in their lives. It is pure magic and so is this film.
There are no approved quotes yet for this movie.