Beauty Is Embarrassing (2012) - Rotten Tomatoes

Beauty Is Embarrassing (2012)

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Raised in the mountains of Tennessee, Wayne White started his career as a cartoonist in New York City. He quickly found success as one of the creators of the TV show, Pee-wee's Playhouse, which led to more work designing some of the most arresting and iconic images in pop culture. The film chronicles the vaulted highs and the crushing lows of a commercial artist struggling to find peace and balance between his work and his art. -- (C) Official Site

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Critic Reviews for Beauty Is Embarrassing

All Critics (30) | Top Critics (12)

"Beauty Is Embarrassing" is an undeniably likable film, mainly because White is a likable guy who believes comedy is at least as important as tragedy.

January 18, 2013 | Rating: B | Full Review…

Neil Berkeley's infectiously affectionate portrait of artist, puppeteer and genially profane provocateur Wayne White.

October 19, 2012 | Rating: 3/4 | Full Review…

An amiable if not especially urgent celebration of the life and work of Wayne White.

October 18, 2012 | Rating: 2/4 | Full Review…
Top Critic

It remains a story at all times - there's a moment at a book signing that will give you a big smile and goosebumps - and it keeps throwing great things to look at up on the screen.

October 15, 2012 | Full Review…
Top Critic

His art is a force that can't be contained: No wonder he felt so at home in the warped environs of Pee-wee's Playhouse.

September 28, 2012 | Rating: 3/4 | Full Review…

The doc meanders occasionally, but we're grateful when it comes back to White and his creations.

September 27, 2012 | Rating: 3/4 | Full Review…

Audience Reviews for Beauty Is Embarrassing

A wonderful documentary on the creative genius that is Wayne White. I would have loved to have heard more about the Pee Wee's Playhouse era but to do so would have harmed us in learning more about Wayne. An amusing tale.

John Ballantine
John Ballantine

Super Reviewer

Although this documentary wouldn't look out of place as an episode of Sundance's Iconoclast series, this look at Wayne White, the warped mind behind the look of PEE-WEE'S PLAYHOUSE, has so much heart that I'm not mad about seeing it in a theater. A simultaneous celebration of individualism and family, the film looks at the lifelong journey of a singular artist who is forever in pursuit of his own voice. From his distinctive Southern roots to his boho NYC existence to his accidentally falling into puppeteering, Wayne White is the best kind of outcast - a man who takes "found art" to new levels, who finds beauty in sticks, cardboard, and assorted junk. He finds joy in the simplest things, and like a true artist, he is forever in discovery mode. The father in a family of artists, we experience the loveliness of a wife who is strong support yet is on her own artistic adventure. His two children, also artists, help complete the perfect colony. You can't help but root for this thrilling team. The film is oddball, almost impressionistic - much like its subject. It becomes deeply moving, however, when he journeys back to his hometown to start a project with a lifelong friend who experienced a much-different artistic life. They work on a project together which almost feels like the statement of their lives. They engage an entire school's art department to build a larger-than-life puppet and prance it around town. To see the looks on the eyes of the children as they gape at this creation is to truly know how much art can mean to people in their lives. It is pure magic and so is this film.

Glenn Gaylord
Glenn Gaylord

Super Reviewer

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