The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Behind The Candelabra doesn't end happily and doesn't always hold our attention but it's a fascinating reminder of an extraordinary, larger-than-life character who seems recent but who, without this, would already be fast disappearing from memory.
Michael Douglas transforms himself into the Las Vegas entertainer with style and, most of all, believability. Liberace was larger-than-life to say the least, and it would be easy to go the SNL route with a character by painting him with broad strokes.
Crammed with garish decor, wild costumes and some unapologetically affected central performances, the final chapter in the life of flamboyant pianist Liberace gets a feisty, full-bodied treatment here.
With a lovely musical score by Marvin Hamlisch and Douglas and Damon perfectly comfortable with, you know, the gay thing, this is less surprising in its depiction of Liberace as a rampant queen than its authorised view of him as a complete bastard.
In the hands of a lesser filmmaker, this is a project that might have gone terribly wrong, but ranking high on the entertainment meter, it smacks of authenticity, has pizzazz, humour, poignancy and above all, heart