The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
People think of Deneuve as cinema's answer to bone china, and indeed the romantic efforts of Truffaut, say, left her looking stiff and staid. But she made the brilliant Bunuel think again, and gave his heart a jump.
Belle de Jour is a film that's ambiguous and alluring in equal measure, and while that can be alienating for modern audiences, this is a film that is still radical, thought provoking and enticing after 50 years.
Deneuve is utterly beguiling in a movie shifting between dream and reality with such deft sleights of hand that we are never sure whether we are watching episodes from Séverine's life or sharing her fantasies.
Something that keeps us on our toes in Belle de Jour comes from Luis Buñuel's refusal to spell out what is real and what is not. Must this be so clear to us when the fantasy life of Séverine means so much to her?
One of the most acclaimed and accessible masterworks of surrealist cinema, an erotic meditaton about reality and fantasy that remains alluring and shocking decades after it was made, at least partly due to Catherine Deneuve's cool, mesmerizing performance