The LEGO Movie 2: The Second Part
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The reconstruction of Samuel Fuller's epic account of his days in North Africa in World War II elevates the film into the pantheon of great war movies.
All Critics (47)
| Top Critics (17)
| Fresh (43)
| Rotten (4)
| DVD (6)
It's a terrific war yarn, a picture of palpable raw power which manages both Intense intimacy and great scope at the same time.
Visually and philosophically, it's Fuller's equivalent of Kurosawa's Kagemusha, although Fuller's film is more complex, more absurd and more haunted.
'The Reconstruction,' which clocks in at 2 hours, 43 minutes, with not a single extraneous frame, elevates the work from a robust genre film to a full-blown epic.
To see this seamless 'reconstruction' -- consisting of some 15 entirely new sequences as well as augmentations to 23 others -- is to behold a masterpiece revealed.
Even though it has gained more than 45 minutes, it doesn't feel longer. Scenes that were choppy or half-baked are now allowed to play out as Fuller intended.
The director's gift for bare-knuckles lyricism rescues scene after scene.
... if you want a World War II story from a real vet's perspective, Sam Fuller is still the man and The Big Red One, drawn from his own war experiences, is the film
Personal observation bleeds out of every scene, and somehow it feels like a true story in a way that most war movies can't achieve.
... displays both raw power and the hint of war's brutality.
Although these are the stock characters of war drama - the sage, grizzled Sarge, the farm boy, the street kid, the nice guy who doesn't want to kill anyone and the witness - Fuller's are particularly credible ordinary people.
meant to be the culmination of a life's work... It didn't come to pass.
The cast smartly underplays things, with Marvin being as charismatic as usual playing a man of few words. And Hamill, an actor given to over-the-top outbursts, reins it in here; this may be his best big-screen performance.
We follow a squad of five guys throughout the American drive of WWll. Beginning in North Africa and ending in (what used to be) Czechoslovakia, a wizened Lee Marvin leads his men in an episodic overview of the typical War Is Hell quilt patchwork, the undertone being the comraderie of unit holding them together. It's a big war though, the amount of time given to each portion feeling rushed, and therein are the strings of the puppeteer made readily apparent. Saving Private Ryan does it all better, but this one ain't a bad substitution.
Sam Fuller's The Big Red One is a fine war film with stunning direction, a great story and exceptional acting. This ranks as one of the genre's finest achievements, a film that shows the harrowing nature of war, which is based on the experience of the director during his years fighting the war. I thought that this was an exciting piece of cinema. The Big Red One may have outclassed by other war films, but its impact is unmatched. This is a highly engrossing picture that is definitely going to appeal to genre fans, and there are several standout performances here as well. I've seen two previous Lee Marvin films, and I very much enjoy his work, however here, he really shines and delivers a standout performance that ranks as one of the finest I have seen of him. He really brings his character to life. Another performance is that of Mark Hamill, aside from fresh of the success of Star Wars, he had some momentum going for him, and he delivers something terrific here, I found him to be that type of character in a war film that steadily become alienated from war, and he really brought a vulnerability that was necessary to the film. With effective storytelling, Fuller crafts a picture that connects with the audience on so many levels, and in turn, it's one of the few genre classics to really thrill, and engage the viewer. Some war films tend to never get the story right, but here, considering the director was a WWII veteran; we get a different picture, a side of war that we've never seen. The Big Red One may seem a little dated by today's standards, but it's a classic war film that every film freak should view. I've watched the longer reconstruction because that was meant as the complete vision of Samuel Fuller's original work, since 50 minutes of footage were cut from the film, and it's a broad, ambitious version that really stands out among the older war pictures. The film may look dated, but it's definitely one of the finest war films ever made, and the fact that the director based it on his wartime experience makes this a definite must watch.
I saw this movie because Mark Hamill is in it, and he gives a good performance, but other than that, I didn't like this movie. It's just another WWII movie, and it's slow and boring too. I didn't care for it.
A rather clumsy and over-long war movie that contains all the usual "madness of war" messages, but they're delivered in a rather ham-fisted way, and it's directed like a TV show. The emotional drama is clumsy at best, and whenever the grittiness you'd expect in the depiction of violence in an anti-war movie should appear, the director shies away. Half-hearted.
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