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Combining a deadly thriller plot with the stylized violence that would become his trademark, The Bird with the Crystal Plumage marked an impressive horror debut for Dario Argento.
All Critics (27)
| Top Critics (4)
| Fresh (25)
| Rotten (2)
| DVD (6)
Dario Argento's undistinguished Italian thriller was an unexpected hit in 1969, thanks largely, one suspects, to some violent scenes that were unusually graphic for their time.
Now king of the spaghetti slasher, Argento made his directorial debut with this tightly constructed thriller.
[It] has the energy to support its elaborateness and the decency to display its devices with style. Something from each of its better models has stuck, and it is pleasant to rediscover old horrors in such handsome new décor.
Its scares are on a much more basic level than in, say, a thriller by Hitchcock. It works mostly by exploiting our fear of the dark.
Argento's scripting isn't always fluid, but he nevertheless manages to create a mystery that's genuinely compelling.
It is as though The Bird with the Crystal Plumage is interrogating the different functions performed by graphic portrayals of murder (much like this film itself), and facing viewers with their own cathartic, and possibly dangerous, fears and desires.
It's not as colorful as his later masterpieces ... but the way in which Argento plays with composition and point of view here are above and beyond.
Future Oscar winner Vittorio Storaro shot the film-it was his first color film and he makes it a showpiece-and Ennio Morricone provides an unusual, often eerie score arranged for human voices.
A smart, cosmopolitan, thoroughly modern whodunit comprised of geometric visuals and pulsating sexual violence.
A glossy, stylistic, cosmopolitan and jagged mystery firmly entrenched in Hitchcockian paranoia.
A watchable serial murderer-search movie, even if not the stuff of cult status.
Dario Argento's directorial debut is a stunning achievement in horror. The start of an excellent career is showcased on screen. What you have with Bird With The Crystal Plumage is a solid horror Giallo that is quite possibly Argento's most solid picture.Bird With The Crystal Plumage is a fine Giallo picture, probably the best of it's kind. Every Argento fan should seek this one out. What makes this film succeed is the eerie atmosphere than Argento paints added by Ennio Morricone ominous score. This is a classic of Italian horror, and I find it almost an insult that people try to compare this film to anyone of Hitchcock's films. Argento and Hitchcock are two different kinds of directs and both have made their mark in horror history. This is an intense horror film that brings genuine chills to the viewer and is by the films end, you are in awe at how powerful the horror is. Bird With The Crystal Plumage is one of the best Giallo films that I've seen, only matched by Lucio Fulci's Don't Torture A Duckling and Argento's own Deep Red. Bird With The Crystal Plumage is an accomplished horror film that is brilliantly directed by Argento. A must see for fans of horror, and this is one of the best films that Dario Argento has made. A unique film thats not easy to forget. The film is bold and tense, and relies on atmosphere to create effective terror. A classic worth seeing.
Very fine debut that set the trend for giallo for the next half dozen years. The seeds of the genre had already been sown but here Argento strikes out stylishly and makes a massive mark. It was interesting watching this again after having seen so many giallo since first seeing this and seeing just how much influence this had been. There are elements, particularly visually, that we will see developed in later Argento films as well as the many imitators. So many red herrings and unanswered questions, of course, but by now we are used to that and others would be freed by this incompleteness to go on and create marvellous colourful multi-layered nonsense for us all to revel in. The Morricone score must also be mentioned for it is of monumental proportions covering the widest range possible from the children's voices through symphonic passages and to the almost abstract.
I'm not extremely familair with the subgenre known as giallo, but my research tells me that it is Italian ficttion with emphasis on horror/thriller, and mystery elements, or something like that. I've actually seen two such films before this one, but didn't know they were apart of some sort of established tradition. Since I liked those, and enjoyed this, I may in the future seek out some more of these types of movies.
From that rambling description above, you should basically have gotten that this is a msytery thriller/ slasher/serial killer type of movie. I can't really go into too many details without giving too much a way, but let's just say that plenty of American films have borrowed if not stolen from this, and other similar Italian films.
It is an Argento film, and his first if I'm not mistaken. It is beautifully shot, fairly violent, and absolutely overflowing with tension, suspense, and great mood, atmospohere, and tone. The music by Ennio Morricone is suitably creepy, and all of this makes up for the fairly flimsy plot which might be the weakest thing at play here. It also feels very Hitchcokian, too...which is of course a good thing.
An American man finds himself caught up in an odd series of murders in Italy, and must work with the plocie to try to solve an ever increasing epidemic of serial murders, while along the way looking out for the safety of himself and his wife. The pacing could have been a bit faster, but the murder setpieces are well done, and this is a pretty enteraining film. The ending leaves a bit to be desired, but it isn't enough of a letdown to warrant a harsher grade.
All around some decent stuff, especially if you like some artsiness with your violence.
I know this was Dario Argento's first movie (and actually the first of his movie's I've seen) and I've heard hordes of people talking about how great he is but based solely on this movie I just don't see it. The Bird With the Crystal Plumage certainly wasn't bad but I just didn't really get into it. I wanted to like it and will likely watch it again but I just didn't feel anything outside of the last 15-20 minutes. Pretty cool score from Ennio Morricone though...
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