L'uccello dalle piume di cristallo (The Bird With the Crystal Plumage) - Movie Reviews - Rotten Tomatoes

L'uccello dalle piume di cristallo (The Bird With the Crystal Plumage) Reviews

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March 31, 2018
if i was this guy i wouldve gotten the hell out of italy and gone back to america where its safe
February 17, 2018
1001 movies to see before you die.
½ November 9, 2017
Utilizing Argento's signature cinematography and wonderful scares, The Bird With Crystal Plumage has plentiful thrills and a stunning mise-en-scène, even if the film often fails at creating an atmosphere key in his later masterpieces' success.
½ July 19, 2017
This review is not a proper review. It might be wrong.

Surprisingly excellent up to a point, i suspect that
A. If like me, you may figure out who the killer is about 2 thirds of the way through.
B. The set pieces in the last quarter are not as {quietly effective/primal} as what came before. Arguably. Or the suspense was deflated slightly by the presence of point A. Or both.

I might be wrong though.
July 9, 2017
Dario Argento's first major film is a masterpiece of suspense and mystery. Unlike the brutal and violent work later in his career, this film plays more as a thriller with very little blood and on-screen violence (it's more implied rather than shown). It's obvious the influence that Hitchcock had on this film, but Argento's style never wavers and holds the piece together beautifully.
July 7, 2017
Impressive debut feature. Some great, unexpected turns help it stand out from the crowd. A crowd, this film actually helped usher in.
August 28, 2016
Probably genre progressive at the time, but I called the killer from the beginning. And there just wasn't enough killing for a horror noir film.
½ August 18, 2016
A few nonsensical choices stand out; The lead caracter being encouraged by the police to play detective apprentice? And to make the lead be the writer of a book about rare birds only to have his editor recognize the sound is very convoluted. Major mistake; they forgot to say who was the co-killer, the one tracking the lead with a gun, like they dropped this thread mid writing but forgot to correct previous scenes. Its not the art-dealer husband; we saw him! That they could let such a thing slip by is just beyond. I also try to skip over the aggravating fact these movies treat every women like they are total retards. Other than that, this is a very stylish Giallo, a front runner in its category, with good pace, ok writing (when its not busy being inane) great score and artistic visual composition.
½ February 22, 2016
Argento's debut became a success for a good reason. His first movie shows maturity and eye for the detail and taste for visuals, foreshadowing his directorial traits for the movies that followed after.
½ February 19, 2016
It was actually a pretty good first film from Dario Argento, who clearly has his style that actually works very well. The twist in the end was really good and the whole mystery was entertaining although not exactly interesting throughout the whole movie. But still it was a good movie.
~February 19, 2016~
November 29, 2015
One can never take a Giallo film too seriously. That being said, Argento's directorial debut is pretty damn good. Just go with the sometimes silly plot and enjoy. The geometry, the vibrant palette, the hypersexual violence are all present. The Morricone score is, of course, timeless.
November 11, 2015
Argento's first film. Very well shot and a compelling storyline.
½ September 13, 2015
Another cracking giallo film from Dario Argento. This murder mystery is better than any episode of Taggart dubbed in English.
Seriously the prime suspect for the series of murders in Rome, Italy is not revealed until the very end of the film and it is quite a surprise when they are revealed.
The musical score is excellent. I believe it is the same chap who did the music on Clint Eastwoods spaghetti westerns.
This is an early gem from Argento who went on to direct other classic giallos such as Suspiria.
As always in this genre the cinematography is lush and colourful.
The English dubbing is good considering other films from Italy.
August 5, 2015
Argento starts his love affair with Giallo in fine fashion. This is a prototype for what he would later perfect. A story driven film with very little gore compared to Argento's later work but plenty of signature plot twists.
½ July 19, 2015
Uncommonly violent for its time, Argento's spaghetti slasher thriller shocked and left audiences in awe at the time, but today it feels a lot safer. That being said, even without that element of shock, it's more than serviceable horror fare.
March 30, 2015
Argento's debut. Way above average "Giallo" (not bloody Giallo, it's probably Argento's only work I'd consider showcasing to my grandmum), with Morricone on score and Vittorio (Apocalypse Now) Storaro on DP. Need I say more? Oh yeah, it's a Jack the Ripper type of story.
March 27, 2015
First feature film directed by master Dario Argento in 1970, this film is exceptionally good on every level. suspenseful and well written, the plot takes us on a journey into murder and mysteries with some interesting twists. The camera work is brilliant, the sets pretty fantastic and the colors, texture, lightings are very well combined to give this thriller an Hitchockian aura. This is an excellent film that laid the foundation and the base for the future reputation of Argento as the master of the Giallo.
November 3, 2014
An enjoyable slasher mystery that has all the classic tropes of italian horror cinema: colorful sets, superb soundtrack (by Ennio Morricone of The Good, The Bad & The Ugly fame) and graphic death scenes. It's not as good as his most famous work, Susperia, but there are enough quirks to make it a fun watch. At moments the movie's tone completely shifts into light comedy with oddball characters we meet, including a painter who eats cats and one-liners delivered by transgender criminals. Weird, but funny. The reveal of the murderer at the end is great, but there's a clunky epilogue about psychology to wrap it all up.
August 10, 2014
Dario Argento, the master of the Giallo, is at the Locarno Film Festival to present his debut masterpiece, The Bird with the Crystal Plumage, as part of the festival's epic Titanus retrospective. We're proud to also share this horror classic with the world.
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