The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It's a colourful movie, transposing the myth of Orpheus and Eurydice to the Rio de Janeiro carnival, but the story has little resonance and with very little reworking could as easily have been a Brazilian version of Carmen.
There's no question that the tale is timeless no matter where or when the story is set, and you cannot deny that the spectacular cinematography makes Black Orpheus a thrill to see, but it's the score that really makes the movie resonate.
In terms of sheer sun-kissed pulchritude, Black Orpheus was like nothing seen before when it exploded with its bossa nova soundtrack in 1959, winning the Palme d'Or at Cannes and the Oscar for foreign film.
[The film has] swirling color, the excitement of samba and the accessible joy of a fabled city, not to mention a charming Orpheus in the young Brazilian Breno Mello, and a dazzling Eurydice in the American-born dancer and actress Marpessa Dawn.