Blade Runner (The Final Cut) (1982)
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Critic Reviews for Blade Runner (The Final Cut)
The single most immersive and tactile world ever created for the cinema.
Perhaps on its deepest level, "Blade Runner" explores ... a theme as old as Genesis and the myth of Prometheus, and iterated in "Paradise Lost," Mary Shelley's "Frankenstein," and in Blake's arcane, visionary mythology.
The final cut seems to simply be an enhanced version of the 1992 director's cut, a technically perfected (Dolby remastered, special effects streamlined) fulfillment of the project Ridley oversaw but admits to rushing.
Ford, with his Star Wars cachet, was Blade Runner's top-line draw, but it's Hauer's movie all the way, his shimmering "replicant" providing the tonal touchstone for Ridley Scott's severally reworked masterpiece.
This remains an astonishing achievement: a Dystopian sci-fi epic that is also one of the best film noirs of recent times.
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