The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The final cut seems to simply be an enhanced version of the 1992 director's cut, a technically perfected (Dolby remastered, special effects streamlined) fulfillment of the project Ridley oversaw but admits to rushing.
Ford, with his Star Wars cachet, was Blade Runner's top-line draw, but it's Hauer's movie all the way, his shimmering "replicant" providing the tonal touchstone for Ridley Scott's severally reworked masterpiece.
"Blade Runner is a film set 40 years hence, made in the style of 40 years ago," Ridley Scott said of his celebrated science-fiction noir. Perhaps that other-worldly "retrofitted" look is why it seems ageless, despite being set in 2019.
Another chance to savour its pure unhurried strangeness, beginning with that bizarre vista of 2019 LA, with four tall buildings mysteriously belching fire-plumes into the night like apocalyptic oil rigs.
Perhaps on its deepest level, "Blade Runner" explores ... a theme as old as Genesis and the myth of Prometheus, and iterated in "Paradise Lost," Mary Shelley's "Frankenstein," and in Blake's arcane, visionary mythology.