The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Loving, willful anachronism... silent black-and-white fairytale Blancanieves-"a local film for a global market"-retells the familiar tale against a backdrop of bullfighting and flamenco in 1920s Seville, with intermittent roosters and dwarfs.
No film this year will look as swooningly beautiful, its deep-focus monochrome vividly rendered by the cinematographer Kiko de la Rica, and not many will sound as good, either, thanks to a score by Alfonso de Vilallong.
Shooting in crisp black-and-white and with sparse dialogue (on title cards), Berger creates gorgeous scenes that evoke not only the silent era but early '30s horror (including a reference to Tod Browning's Freaks that's oddly endearing).
From Spain, here's a miracle of fairy tale repurposing: a version of the Brothers Grimm's "Snow White," set in Spanish bullfighting country in the late 1920s. Writer-director Pablo Berger's Blancanieves goes all the way with its concept, and then further.
Alfonso de Vilallonga's music isn't mere accompaniment, it's a score with rich emotional resonance. The silents, as this film suggests, achieved aesthetic marvels before sound came along to set things back for a while.