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The film isn't a jigsaw puzzle, where every piece neatly fits into a greater whole; it's more like a drunken night of people sitting around and remembering their old friend, warts and all.
Blaze is more affecting than most other live-hard/die-ugly music biopics.
The daring of Ethan Hawke as a filmmaker is that he shapes his scenes not in a conventional way but as randomly observed slivers of life that amble and glide along to Blaze's dawdling spirit.
This is an interesting, frustrating man to focus on, all the way up to his muddled end. That Hawke's film will introduce a new audience to his music and soulful tenure feels like its own victory.
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