Blood Oranges (1999)

TOMATOMETER

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AUDIENCE SCORE

Critic Consensus: No consensus yet.

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Movie Info

A free-wheeling married couple involves another couple in a foursome and learns that the sexual revolution leaves much to be desired. Set in 1970, this drama from Philip and Belinda Haas (Angels and Insects) is based on Howard Hawks' novel.
Rating:
R (adult situations/language, nudity)
Genre:
Drama , Mystery & Suspense
Directed By:
Written By:
In Theaters:
 wide
On DVD:
Runtime:
Studio:

Cast

Sheryl Lee
as Fiona
Colin Lane
as Hugh
Laila Robins
as Catherine
Rachael Bella
as Meredith
Aida Lopez
as Rosella
Maya Zapata
as Goat Girl
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Critic Reviews for Blood Oranges

All Critics (4)

No excerpt available.

Full Review… | February 22, 2012
Variety
Top Critic

With repeated use of such ridiculous, 'risqué' terms as 'the love lunch' and 'sex singer,' can anyone take this film seriously as drama or erotica?

Full Review… | December 23, 2006
TheMovieReport.com

No excerpt available.

July 13, 2005
EmanuelLevy.Com

No excerpt available.

Full Review… | June 5, 2002
Boxoffice Magazine

No excerpt available.

Full Review… | January 27, 2002
ToxicUniverse.com

No excerpt available.

December 31, 1999
Apollo Guide

Audience Reviews for Blood Oranges

The Blood Oranges (Philip Haas, 1997) I've seen it claimed in a smattering of reviews that some folks think the reason The Blood Oranges has such a low rating on IMDB is that people are uncomfortable with the subject matter. [For example, http://www.imdb.com/title/tt0118743/reviews; check legumes9's review from 29Sep2006, which like all IMDB reviews can't be directly linked.] It's certainly possible that there is some of that, but I'm guessing there's an equal amount of low reviews because it's boring, generally badly-acted (yet another film providing hard evidence that the performance of every hot young woman in Twin Peaks-in this case Sheryl Lee-was a complete fluke), and far more sexually conservative than various descriptions of the film would have you believe. Lee and Charles Dance (Gosford Park) play Fiona and Cyril, a hedonist couple on holiday in Illyria (fictional in modern times, but back in the day, was on the eastern border of the Adriatic Sea; basically, today, the shoreline occupied by Croatia and Montenegro). Their lazy days pass all alike until a VW bus containing Hugh (Broken Harvest's Colin Lane), Catherine (Oxygen's Laila Robbins), and their children, who are immediately invited to stay by Fiona and Cyril. Thus begins what would seem to be a game of sexual cat-and-mouse. Except this is where the timeline of the story gets confusing... ...maybe I wasn't paying enough attention, or maybe Haas and his wife Belinda attempted to stick a little too close to the John Hawkes novel they were adapting (Hawkes was notorious for playing with timelines), because it seemed to me characters were still hinting an hour into the movie that they wanted to do things it looked an awful lot like they'd all BEEN doing at least thirty-five minutes before. (Or maybe fifteen minutes before; this movie has a way of making every second stretch out tortuously.) The problem here, assuming this wasn't a case of the Haases taking Hawkes way too literally, is that smoldering glances and sexual tension can only take one so far. It can take one much farther given characters one can care about, but our would-be pals here suffer from a great deal of flat affect. Even Dance, much of the time, feels like he's phoning it in (and Lee and Lane are lost causes altogether). And good lord, are you really going to accuse a movie of sexual libertinism where people are still blowing up over their spouses cheating on them despite the fact that everyone in this movie is continually talking about how much they want to bed one another? Come on, people. (And depending on how you want to read the movie's climactic scene, which is framed, and obviously meant to be interpreted in one way, but could easily be framed in another, much more sexually conservative, manner, the movie can be read as... well, positively puritan where one character is concerned.) I have not read the Hawkes novel on which this film is based. But judging by my experience with Hawkes, I suspect that when I do read it (and I will, because I like the man's writing), I will entertain the possibility that there is a very good film to be adapted from it. This, however, is not it. Not at all. Like many "erotic thrillers", this is neither erotic nor thrilling in any way. *

Robert Beveridge
Robert Beveridge

This film is from the 1997 Toronto International Film Festival, and its a film I would expect at a Film Festival it just had that theme about it. Philip Haas took what would have been just another story and turned it into a masterpiece. The backgrounds were fantastic, and locations out of this world. Story about Love, Romance, Sex and Desire. Put me in a house like this to live. As far as the love life sorry don't share with anyone. Its worth 4 stars. If you haven't seen films from International Film Festivals you should, most never see the light of day on TV or US Movie theaters, you will be shocked at what you can find. Again 4 Stars

Bruce Bruce
Bruce Bruce

Super Reviewer

½

An intriguing movie about love, relationships, and blind desires. Interesting story plot and cast.

Leo L
Leo L

Super Reviewer

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