Blow Out (1981)
Critic Consensus: With a story inspired by Antonioni's Blow Up and a style informed by the high-gloss suspense of Hitchcock, DePalma's Blow Out is raw, politically informed, and littered with film references.
as Lawrence Henry
as Coed Lover
as Lawrence Henry
as Coed Lover
as Campus Guard
as Dancing Coed
as TV Newscaster
as Film Lab Man
as Corrupt Captain
as First Murder Victim
as Cop at Karp's Office
as Sailor's Friend
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Critic Reviews for Blow Out
Perfectly contrasts movies that reveal the truth against those which avoid it - a blood-drenched yet stake-free slasher vs. the far more insidious horrors of all-American living.
This 1981 release is one of Brian De Palma's more interesting and better-made thrillers, though it's even more abjectly derivative than his Hitchcock imitations.
With attractive leads and a stylish flair for suspense, De Palma misses sustaining involvement by his distracting allusions to prior films.
Where Antonioni's images made you think, De Palma's merely make you blink, and the baroque plot confuses as often as it frightens.
Audience Reviews for Blow Out
DePalma's most well executed tribute to the master of suspense (Alfred Hitchcock), this film features outstanding set pieces, standout performances from Lithgow, Travolta and Franz and maybe the best use of sound design to build tension.
A potent thriller from DePalma that borrows from other aspects of cinema to create a visceral experience. Well shot, well acted, and original, 'Blow Out' can find comfort in many film buff's libraries.
Jack Terry: So you got your choice. You can be crazy or dead.
"Murder has a sound all of its own!"
Classic Brian De Palma and classic John Travolta. Blow Out is up there with some of De Palma's best works, and is only held back by an annoying performance from Nancy Allen. The movie isn't quite as good as Dressed to Kill of Scarface, but just a notch below with movies like Carrie and Carlito's Way.
Jack Terry is out collecting sound for a new horror movie that he is working on. He's a sound man and the director isn't happy with the same old wind sound, so he's out to get a new wind sound. When he's out, he witnesses a car accident that ends up in a river. He jumps in and saves a girl, but another passenger dies. That passenger ends up being a governor and suspected running candidate for the presidency. Everyone is saying it's an accident, but Jack thinks it's more because he swears he heard a gunshot before the blow out. And he has it on tape.
Blow Out is an extremely cool and entertaining piece of filmmaking from De Palma. It also feels like more restrained work from him. It isn't a movie that is obsessed with sex and violence(although there are elements of both). He lets the suspense and tension build to a windup. You still won't have trouble noticing all the elements that make De Palma so easy to spot. If only he didn't like Nancy Allen so much.
There's a lot to like about the movie, but I especially loved the usage of the scream scenes from the movie that is getting made within Blow Out. There's a lot of foreshadowing with the movie being made and works extremely well. Also, John Travolta is really, really good here. It's up there with his best stuff like Pulp Fiction. There's never a moment in his performance where he seemed fake or like all this wasn't really happening to him. He makes for an incredible hero and really keeps the tension building right along with De Palma's direction.
Blow Out is another must see film from De Palma. The guy made his share of bad movies for sure, but when he is on his game, he's fucking amazing. I know he is normally a director that you either love or hate, but with this one, I can see even his biggest haters enjoying it. It's just like Lynch's Blue Velvet with me. I despise Lynch, but I really like Blue Velvet. So even if you don't like De Palma, still give this one a look. It may surprise you.
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