Blue Collar (1978) - Rotten Tomatoes

Blue Collar (1978)

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Three guys, two African-American and one Polish, work on the production line in a Detroit automobile factory, and they are fed-up with the conditions. It dawns on them that their workers' union is doing them no greater good than their screwed-up bosses. So the trio pulls off a clumsy robbery at union HQ, in which they only gain access to some suspicious documents that point to union links with organized crime. Suddenly they're out of their league: violence, paranoia, rivarly, and recrimination erupt around them.
Rating:
R
Genre:
Drama
Directed By:
Written By:
In Theaters:
 wide
On DVD:
Runtime:
Studio:
Universal Pictures

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Cast

Richard Pryor
as Zeke Brown
Harvey Keitel
as Jerry Bartowski
Yaphet Kotto
as Smokey James
Ed Begley Jr.
as Bobby Joe
Harry Bellaver
as Eddie Johnson
George Memmoli
as Jenkins
Lucy Saroyan
as Arlene Bartowski
Lane Smith
as Clarence Hill
Cliff De Young
as John Burrows
Borah Silver
as Miller
Chip Fields
as Caroline Brown
Leonard Gaines
as IRS Man
Milton Selzer
as Sumabitch
Sammy Warren
as Barney
Jimmy Martinez
as Charlie T. Martinez
Jerry Dahlmann
as Superintendent
Denny Arnold
as Unshaven Thug
Rock Riddle
as Blonde Thug
Stacey Baldwin
as Debby Bartowski
Steve Butts
as Bob Bartowski
Stephen P. Dunn
as Flannigan
Davone Florence
as Frazier Brown
Eddie Singleton
as Ali Brown
Rya Singleton
as Aretha Brown
Vermetta Royster
as Neighbor
Jaime Carreire
as Little Joe
Tracey Walter
as Union Member
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Critic Reviews for Blue Collar

All Critics (8)

A dark-tinged prole caper, a crimson tableau of impotent wrath

Full Review… | September 2, 2013
CinePassion

It's intense, well-acted, gives one a good idea about everyday factory life and offers a clear-sighted muckraking take on blue collar types ...

Full Review… | October 24, 2008
Ozus' World Movie Reviews

Although the film does not tell us how to break out of the plantations we know too well, it does give us a vivid sense of the problems and the pitfalls of those who try.

Full Review… | January 24, 2004
Spirituality and Practice

Audience Reviews for Blue Collar

Paul Schrader's intelligent, well-observed, powerhouse drama about three Detroit production line automobile workers brilliantly played by Richard Pryor, Harvey Keitel and Yaphet Kotto, who all deliver extraordinary dramatic performances, these three close friends find bills piling up and pressures bearing down on them, so they decide to rob their corrupt union office, but trio end up empty handed with no money, but find a suspicious ledger that links the union with organized crime, they try to blackmail the union for cash for the return of the ledger and find that they are way out of their league. Suddenly once loyal friendships turns to paranoia, betrayal, and murder. A serious underrated classic gem, and one of the last Hollywood films to explore the lives of the working class man. Schrader makes his impressive directorial debut with engrossing motion picture, which has a gripping screenplay by Paul Schrader & Leonard Schrader. A must-see! Highly Recommended.

Danny Rovira
Danny Rovira

Super Reviewer

"Blue Collar" proves yet again that Paul Schrader is one of the greatest, most underrated film makers out there; a man whose films are so consistently overlooked that it seems almost intentional. "Blue Collar" is the result of Schrader's excellence in writing and directing, and the performances that he musters from actors Keitel, Pryor and Kotto do his script a whole lot of justice. His film isn't as much a lesson in how to break free of the chains that blue collar workers find themselves in as much as it is a study in what living in those chains is like. It's tense and honest American film making, and it strikes a chord.

Stephen Earnest
Stephen Earnest

Super Reviewer

Director Paul Schrader's film explores a little of what was wrong with the working class in the late '70s. Inflation, unemployment, corruption and how floorworkers in the auto-industry were continually fucked over. The film gives platform to a rock solid performance by Richard Pryor, which always seems to go unmentioned when most reflect on his career. This is a heist film that shows who is really being robbed. This is not a pro-union film such as Norma Rae. Here, the Union is inaffective and indifferent, at first, until truths are exposed as the story develops. Richard Pryor, Harvey Keitel and Yaphet Kotto don't really come off as romanticized or even as anti-heroes, since their characters do drugs, cheat on their wives and commit petty crimes. When one of those petty crimes reveals more than expected, "THE MAN" works harder at tearing them apart than having them unite. Gritty character drama that deserves a little more recognition. Photobucket

El Hombre Invisible
El Hombre Invisible

Super Reviewer

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