The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Woody Allen, whether you love him or hate him, has always had a way with women. He somehow gets the very best out of his leading ladies. As Jasmine (nee Jeanette), Cate Blanchett is a glorious trainwreck, and it's hard to look away.
A sharply observed, post-economic crash comedy-drama that boasts a formidable performance by Cate Blanchett and addresses such pertinent real-world concerns as class, gender and corporate criminality in urban America.
This also benefits from one of the strongest casts he's assembled in years: Cate Blanchett is exceptional in the lead, and there are strong supporting turns from Alec Baldwin, Sally Hawkins, and (in a surprise dramatic turn) Andrew Dice Clay.
Allen's best movie in some years and certainly his finest drama with comedy since 2005's "Match Point," it is a tale of wealth, greed and corruption -- and the shock waves that occur when crimes lead to punishment.
[A]... thing of wonder. What you're looking for with [Allen] are signs of life, as opposed to shtick and koans... You want to see that the finery of character writing still means something to him. This is his 43rd movie, and it's inspired.
Blanchett's lavish, almost operatic turn as Jasmine sloshes against the sides of this insubstantial movie like liquid in a too-small container (maybe the room-temperature Stoli Jasmine is continually downing).
A freak show whose alternately compelling and repulsive heroine can't disguise the fact that it's a movie by a sour old guy who no longer likes anything or anyone and who also, more damningly, just isn't interested.
Is ''Blue Jasmine'' an Occupy Wall Street-era morality tale, or just a deeply absorbing character study? Either way, Allen has given us a whole lot to chew on - and a flawed heroine we'll remember for a long time.
Only Andrew Dice Clay, in a small role as Ginger's Low-Class(TM) onetime husband, pierces the movie's highly polished bubble world; he comes off as a person whose veins run with blood rather than some liquefied director's conceit.