The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
What we end up with here is 2/3 of a story that consequently feels incomplete. It obviously wanted to be something like "(500) Days of Summer" in terms of structure, but the writers just didn't know how to get up to that level.
Cianfrance's film is frustratingly surface-bound in ways that reflect, if not out-and-out misogyny, then at least a lack of interest in imbuing his female character with the rich interior life and complicated morality he gives his male lead.
The effect can be wearisome, clouding the intriguing atmosphere of the film, stealing attention away from the fractured essence of the piece so actors can flail about, killing vital intimacy by being so aware of the camera.
As the film, which Derek Cianfrance directed and co-wrote, makes its way to the end of its second hour, it becomes an acutely stylized, slow-motion marital accident. You either want to call AAA or roll your eyes.