Bobby Deerfield (1977)
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as The Brother
as Uncle Luigi
as Karl Holtzmann
as The Magician
as Priest In Garden
as Woman In Gas Station
as Carlos Del Montanara
Critic Reviews for Bobby Deerfield
A brilliantly unusual love story, told in a European fashion which makes the Sydney Pollack film at first irritating, then intriguing, finally most rewarding and emotionally satisfying.
A classic example of a Hollywood director being struck down by a lethal 'art' attack as soon as he sets foot in Europe.
Bobby Deerfield may turn out to be the year's most cynical movie made by people who know better, including Sydney Pollack, the director, and Alvin Sargent, who wrote the screenplay.
This gorgeously shot film is a trifle long at just over two hours; much of the racing footage could have been dispensed with, along with the sudsiest of the emotions.
A resonant Pacino...though ultimately a misfire, suggests that there are worse things to call a movie than 'a curiosity.' [DVD review]
Audience Reviews for Bobby Deerfield
Although I am a fan of Al Pacino and Sydney Pollack, this film was somewhat of a disappointment. The sets and scenery were beautiful with romantic countryside. I some parts the movie kind of dragged along and the acting by Al Pacino was certainly not up to his usual standard of talent. This could have been a wonderful movie, with great story line, if some of the scenes were taken out. I did not at all like Pacino's impersonation of Mae West and thought his acting was rather stiff and wooden when confronting Lillian at her apartment with Mae West impersonation. Otherwise this would have been a fantastic movie.
How to see Europe on a $2 video rental. Sydney Pollack's driection in this young-Pacino drama has its moments. Although, I think I would be hard pressed to find ANYone with a camera in France & Italy and not make it look beautiful. But the scenery is fantastic. An American race car driver sees a wreck where a friend dies and he gets a little worried about death. Visiting his friend in the hospital, he meets another woman who tags along for the ride. She was a patient, but we don't know why. She's fucking nuts, that's for sure. There were romantic moments, but they were weak and they didn't amount to anything. At some point, she says to him, "I'm sorry you didn't scream with me. I'm sorry you didn't chase the balloon. I hope you find your rabbits." This is metaphor that alludes to previous scenes, which basically means: "I'm sorry that you're not more expressive, that you don't take more chances. I hope you find what you are afraid of." This is the kind of writing that permeates this film. I don't know when the cliche started, but it's here. Lillian is overly expressive, artistic and outgoing. Bobbby is reserved, safe and sane and is somehow drawn to Miss Crazypants. At some point he even takes her to task, screams at her for her seeming indifference, and its just hollow. You can't get mad at her when she's acting in the way that you were intrigued by all along. After that, it all just falls into scenes of romantic growth leading to the melodramatic ending.
Even though it's the most feminine role I've seen Pacino in, I can see some of his future badass in this film. It's not really a great story though. Outside of Pacino, there wasn't much in the way of entertainment for me in this, and you can find Pacino in much more entertaining movies. I'd pass unless you're a fan of Al Pacino (which I suppose if you have any interest in this at all, you probably are).
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