The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
'Bonnie and Clyde' moves between comedy and drama, making an energetic portrait of an America sunk in the depression, made in another vital period, in which the cinema changed to forced marches. [Full review in Spanish]
[VIDEO ESSAY] a seamless balancing act. Equal parts true-crime exposé, dysfunctional love story, and Depression-era think piece, the picture underscores American police departments' longstanding proclivity for short cuts to justice, i.e. murder.
Faye Dunaway and Warren Beatty deliver pitch perfect performances as Bonnie and Clyde, with characterisations that are layered and engaging. Beatty's bravado is infectious, and Dunaway's abandon is life affirming - if doomed.
Stylistically, Arthur Penn's crime epic doesn't do anything that hadn't already been seen in any number of runty, skuzzy teen epics, all of which firmly established the paragons of good (i.e. "The Law") as being the new antagonists.
Arguably the most influential (but not best) film of the late 60s, Arthur Penn's saga changed the course of American cinema, particularly in the controversial areas of sex and violence and the link between them.