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Bottle Rocket is Reservoir Dogs meets Breathless with a West Texas sensibility.
All Critics (66)
| Top Critics (20)
| Fresh (56)
| Rotten (10)
| DVD (7)
The performers look like they're having a lot of fun, but there is a great deal of skill on display.
A confident, eccentric debut about a trio of shambling and guileless friends who become the Candides of crime, Rocket feels particularly refreshing because it never compromises on its delicate deadpan sensibility.
[Bottle Rocket] meanders pleasantly, like a road movie, with a seventies-style, anything-goes offhandedness that whisks the audience through the rough spots.
Bottle Rocket was conceived as a low-budget family affair -- it has more Wilsons than the Beach Boys -- and outside of a few cult-intensive pockets of fandom, that's where it's likely to end up.
This is a movie about friendship, about foolhardy endeavors that get your adrenaline going and make you feel life buzzing in your toes. Written with wit and concision and remarkable confidence, Bottle Rocket is a joyride worth taking.
Bottle Rocket is a beguiling surprise, a terrific little movie comedy about a slightly addled gang of young criminal wannabes.
It's only in the finale of Bottle Rocket, brimming over with poignant male self-delusion, that the flair and sizzle of Anderson's future promise returns.
This deliciously offbeat comedy gets much of its oomph from a loopy screenplay and lead performances that can only be called hilariously bland, or is it blandly hilarious?
Like the cheap pyrotechnic of the title, Bottle Rocket neither goes very far nor ends with a bang, and that's part of its charm, originality and delight.
Bottle Rocket may not be profound work, but it shows off some genuine talent both behind and in front of the camera.
This is a small movie of raffish charm, similar in feel and tone to last year's independent hit The Brothers McMullen.
Anderson's debut film is a small-scale delight.
Despite losing focus after a while and overstaying its welcome, Wes Anderson's feature debut was already an early showcase of his impressive talent and great eye for compositions, offering us enough unpretentious amusement for as long as it lasts and reaching a hilarious climax.
Before Wes Anderson would cement his reputation as a unique director with such films as Rushmore, The Royal Tenenbaums and Moonrise Kingdom, he would direct Bottle Rocket, his first feature film that would feature many of his later trademarks that would make his work what it is. The film has a very good story and terrific cast, and Anderson has a keen eye crafting a picture with charm, and memorable, interesting characters. With this directorial effort, his ideas that would mature in following films are here, but at times there are aspects of the film that could have been reworked a bit. Nonetheless Wes Anderson direction is very good, and he proves that he would mature greatly as a filmmaker following the release of this film. Owen Wilson and Luke Wilson are great here, and they have good chemistry, and it adds so much to the film's enjoyment. Anderson is a unique filmmaker and with Bottle Rocket he makes a film that blends all sorts of elements into one film, and the script here is well thought out, and amusing, and the finished film is engaging from start to finish. However, I much preferred The Royal Tenenbaums, Rushmore and of course, Moonrise Kingdom, which for me is my favorite film from Wes Anderson. With that being said, Bottle Rocket is definitely a film that is sure to appeal to Wes Anderson fans, but it's also a film that never fully realizes its ideas, and makes a significant impact, simply due to the fact that Anderson would perfect his craft throughout his career. Bottle Rocket is good fun, but it does leave room for improvement.
Containing that classic Wed Anderson characterization while failing to maintain his best movies' zippy momentum, Bottle Rocket is a decently funny but mercilessly meandering crime comedy.
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