Brad's Status (2017)
Critic Consensus: Brad's Status transcends its familiar premise with insightful observations and affecting interplay between stars Ben Stiller and Austin Abrams.
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Critic Reviews for Brad's Status
We knew this guy was a forgettable jerk not worth our time five minutes into this movie.
Has there ever been a face more suited to male anxiety than Ben Stiller's?
Stiller is in prime form here, smart and self-pitying in a way that's quintessentially his own.
Although the pacing is uneven, the end result satisfies. The movie may be marketed to art house audiences but it has something to say to (and about) us all.
This is the rare mainstream film that addresses the complexities of real life. "Brad's Status" may motivate you to question your own.
Audience Reviews for Brad's Status
Well acted from Ben Stiller. This is basically about someone who is ungrateful with their life and always compares themselves to others. The complaining gets a little too much and the overall message at the end is predictable.
Brad's Status is the kind of movie one wishes were a person so it could be given a wedgie. It is the second movie this year to feature Ben Stiller dealing with middle age and daddy issues, but, absent Noah Baumbach's dark humor, it barely holds a candle to the already less than stellar The Meyerowitz Stories (New and Selected). Stiller has the petty, insecure schmuck schtick down pat from decades of mediocre films, so this movie was made for him to star. Well, to be fair, it was made for him to mope around on screen while his constant, insipid voice over narration rambles off every whim and rumination that passes through his bland head. It would be funny if they actually played it for what it is, a pathetic underachiever who is too much of a coward to be the horrible person that he wants to be. There are always glimmers of him being relatable, however, and it's annoying that the film makers want us to empathize with that sentiment. Wishing for your wife's parents to die so you can inherit their money is hardly endearing in the context of the film, it's not funny, and it serves as just the first exhibit in the cringe gallery of Brad's mid-life crisis. In one interaction, a young woman tries to drive home to him that most of his problems are somewhat trivial in comparison to actual suffering, and he seems to process it to some degree. Yet, he doesn't really change, and he continues to be wallow in his self-imposed misery even during the cheap existential epiphany he has of crying during an orchestral swell. As a cautionary tale, there are no great lessons to be taken away from this, and it's feeble attempts at subtle humor hardly ever land.
Writer/director Mike White (Chuck & Buck, School of Rock) has made a movie meant for the purposes of entertaining about a man who seethes with jealousy from the first frame and who reminds us and, more specifically, men of a certain age that time has or is running out. This isn't exactly the best way to get an audience who likely paid to see your movie on your side, but with the endearing presence of Ben Stiller serving as the conduit for White's exploration of middle age the well-regarded writer, who is only directing his second feature film with Brad's Status, is able to perform such explorations with such balance and well-defined introspection that the film mostly transcends its rather grim implications and is able to become one easily appreciated for its reassurance. Leave it to White, who has always excelled at crafting these kinds of human, but uncomfortably so, stories to make this reassurance not in the form of our titular protagonist finding and/or achieving what he so greatly craves for the majority of the runtime, but for discovering and realizing things he may not have considered prior. It's all about perspective and White chronicles these ideas and themes through Stiller's main character by giving him an abundance of internal monologue, but does it more convincingly by having Brad take part in actions that provoke the progression of these thoughts. Never does Stiller's Brad feel like little more than a man complaining for the sake of complaining, but rather Brad is a guy who is having a real crisis of identity. It would be easy to dismiss Brad's Status as another of those middle-aged white guys having an existential crisis movies and that's because it is, but there is something to Brad's Status that helps it rise above those kinds of dismissive criticisms by being the movie that acknowledges it's about white people problems and owns up to it. Everyone has problems, some obviously vary in degree of severity and repercussion size, but everyone has problems and issues they have to deal with and to each and every person each of their individual problems are as real as anything else. Brad takes real issue with the fact he feels he's cut himself short in this single shot at life he's been given and while White is keen to writhe just about every perspective out of this base of an idea he can what Brad's Status ultimately does is provide a way to navigate feelings of inadequacies and jealousy while coming to the realization that because everyone has their own problems that those who make Brad feel inadequate or jealous likely aren't aware of as much because they have their own things they're dealing with that their social media doesn't show. read the whole review at www.reviewsfromabed.com
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