Breaking Upwards (2010)
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as Hot Bartender
as Hot Bartender
as Casting Director
as Casting Director
as Stage Manager
as Assistant Manager
as Dancing Model
as Theater Model
as Yoga Teacher
as Funny Yoga Guy
as Yoga Girl
as Man at Synagogue
as Boy at Party
Critic Reviews for Breaking Upwards
Scenes meant to play as breezy and hip are more often just annoying.
Breaking Upwards has its amusing and touching moments, but we're left wondering just what we're supposed to make of it all.
Comes knocking at the door like a wolf in sheep's clothing, draping reality in a fictional romantic comedy about a twentysomething NYC couple named Daryl and Zoe whose relationship is coming apart.
While Alex Bergman's photography is often impressive, Wein's editing has the short attention span of a Hollywood movie, without the accompanying cocaine rush.
Much ado about a very rote situation, with a hammy excess of New York Jewish shtick (lead offender: Andrea Martin as Zoe's kvetching mom).
Audience Reviews for Breaking Upwards
I think I was in my own transitional, break-up period when I first saw this movie about a stagnant couple that orchestrates an incremental break-up - spending less and less time with each other to cushion the emotional blow - so I really identified with the dragged out "break up that lasts longer than the relationship" heartbreak. Upon rewatch though, I found the movie lacking in establishing shots; there's no room to breathe between each quirky little on-day and off-day conflict. The emotions are still real, and the final break-up and goodbye scenes are still brutal and bittersweet, respectively. Daryl Wein and Zoe Lister-Jones have easy, soul-connected chemistry - smartly deriving this movie from a real-life experiment - but their fictional counterparts could have used more grounded reasons for getting together and breaking up. I wonder if they are still on-again-off-again now that Zoe has gotten more mainstream famous.
A couple who are bored with their relationship incrementally break up. Breaking Upwards is a charming, realistic depiction of a couple who are right for each other even though it feels wrong. Strong performances by director/editor/co-writer Daryl Wein and co-writer Zoe Lister Jones carry the film, which has a wry wit and some smart dialogue. And the last shot is truly heart-breaking. There were few things about the film that I didn't like, but they were so essential to the story that they were impossible to ignore. At the beginning, the stated reason for their break up is that they're both "bored." I recall David Thewlis's monologue from Mike Leigh's Naked in which he rants against people who are bored despite having untold possibilities for engagement: "You have the universe explained to you, and you're bored with it," he says disdainfully. Equally, I recall a former teacher telling me, "If students say they're bored, then they're boring people." I have little patience for characters and real people telling me they're bored, so I was hoping that during the increments of the break-up, past issues would crop up so that we can understand that there is a deeper reason for their split. Most people in their early twenties haven't been hurt enough to deserve ennui. Also, while on their days off, Daryl and Zoe have no shortage of other suitors. In the construction of the film's plot, this seems like an easy way out. Most often, the choices in real life aren't between a semi-fulfilling relationship and attention from new, flawed suitors (flawed certainly in Zoe's case, but not so much in Daryl's); the choices in real life are between a semi-fulfilling relationship and loneliness, which is a condition that motivates people much more than the lack of fulfillment one finds from fucking one's co-star in a bad off-Broadway play. I wanted to see these characters more vulnerable without each other, which would have made the ending of their relationship so much harder to stomach. Overall, there is a lot to like about Breaking Upwards, and during all of my future (and one of my past) failed relationships, I'm going to use the phrase "Let's not break up; let's break upwards," but as a film, this indie comedy falls into the trapping tropes that most films of its ilk fall into, making it good enough to make me wish it were so much better.
A realistic depiction of both the hardships and growth of a breaking relationship.
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