The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Has no one else found it highly peculiar that damn near everybody's choice for the best movie of (let's say) the decade should be dedicated, inferentially but absolutely, to the proposition that Courage is Madness and Cowardice is Best?
Part of the success of The Bridge is that its courageous hero is shown from all angles, in all kinds of mirrors. He is strong, stubborn, fallible, maniacal, silly, and wise; and in the end he is pathetic, noble, and foolish.
An epic movie which is large in scope and personnel, The Bridge on the River Kwai speaks of the code of honour amongst men during war, the respect shared by enemies of war, and the madness which war evokes.
For what it is, it ain't bad, though it serves mainly as an illustration of the ancient quandary of revisionist moviemakers: if all you do is systematically invert cliches, you simply end up creating new ones.