Shirley
Da 5 Bloods
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I May Destroy You
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All Critics (6) | Top Critics (1) | Fresh (3) | Rotten (3)
This Z-grade exploitation knock-off plays like a cinematic rendering of the Grand Theft Auto games. September 26, 2013 | Rating: 2/5 | Full Review…
This Z-grade exploitation knock-off plays like a cinematic rendering of the Grand Theft Auto games.
Chris Blohm
Jean-Luc Godard once remarked that "all you need for a movie is a gun and a girl", and the director of this tired grindhouse pastiche seems to have taken that advice on board verbatim, offering a sketchy, lifeless shoot 'em up. March 5, 2019 | Rating: 2/5 | Full Review…
Jean-Luc Godard once remarked that "all you need for a movie is a gun and a girl", and the director of this tired grindhouse pastiche seems to have taken that advice on board verbatim, offering a sketchy, lifeless shoot 'em up.
Adam Lowes
Cramming in every bit of exploitation style it can into the first 10 minutes alone, humour splats out of the screen, and it is clear a riot was had by the filmmakers. February 28, 2019 | Full Review…
Cramming in every bit of exploitation style it can into the first 10 minutes alone, humour splats out of the screen, and it is clear a riot was had by the filmmakers.
Naila Scargill
Sure it's grimy, gimmicky and over all too quickly, but Fernanda Urrejola's titular killer babe - an impossibly sexy, semi-clad, bullet-spraying fury - is a creation assured cult-icon status. September 27, 2013 | Rating: 3/5 | Full Review…
Sure it's grimy, gimmicky and over all too quickly, but Fernanda Urrejola's titular killer babe - an impossibly sexy, semi-clad, bullet-spraying fury - is a creation assured cult-icon status.
Jamie Healy
The video game-inspired visuals, pulsing synth score and manic level of energy make it quite the ride indeed. August 28, 2013 | Rating: 3/5 | Full Review…
The video game-inspired visuals, pulsing synth score and manic level of energy make it quite the ride indeed.
Shaun Munro
in the wake of the Tarantino-Rodriguez Grindhouse double-feature (2007), postmodern 'guilty pleasure' revivals are a dime a dozen, which is why much of the sheen has come off Espinoza's latest knowingly daft genre-blender. August 27, 2013 | Full Review…
in the wake of the Tarantino-Rodriguez Grindhouse double-feature (2007), postmodern 'guilty pleasure' revivals are a dime a dozen, which is why much of the sheen has come off Espinoza's latest knowingly daft genre-blender.
Anton Bitel
There are no featured audience reviews for Bring Me the Head of the Machine Gun Woman (Tráiganme la cabeza de la mujer metralleta) at this time.
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