Critic Consensus: This tense, understated drama explores the complications of individual and social ethics stemming from the repercussions of war on one man and his family.
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as Preben 2
as Preben 1
as Samial-Tariq, Afghanistan
as Farid, Afghanistan
as Wisam, Afghanistan
as Hossein, Afghanistan
as Hassan Afghanistan
as Officer 1
as Officer 2
as Faengselsbetjent 2
as Politibetjent 1
Critic Reviews for Brothers
Bier, honored as an Emerging Master at the Seattle International Film Festival this year, is clearly a director to watch. In her hands, a story that could become melodramatic is gripping and heartbreaking.
At its core, Susanne Bier's wrenching portrayal of the shifting dynamics within a Danish family is really about survival, about how we cope in the face of shattering grief and what we'll do -- anything, really -- to save ourselves.
A profoundly affecting movie, one in which our sympathies lie with everyone.
Feels like an amalgam of newsreel and stage drama, but with the most potent aspects of both art forms.
Keeps itself floating above the suds thanks to Bier's crisp and lively visual design, the general loveliness of her cast ... and her attention to small moments of arresting domestic authenticity.
Audience Reviews for Brothers
One brother, recently released from prison, befriends his brother's wife, while the latter is believed dead in Afghanistan. We watch no film in a vacuum. The films we've seen in the past inevitably affect how we view new films. In this case, I couldn't help but compare the original Danish version of this story to the American remake starring Jake Gyllenhaal, Tobey Maguire, and Natalie Portman. All three American actors have turned in good, sometimes great, performances in other work, but I found the American version staid and uninteresting. Now, I compare that to this film. The performances by Nikolaj Lie Kaas, Ulrich Thomsen, and Connie Nielsen are far and away better. Even on the most superficial level, Kaas looks like a fuck-up brother while Thomsen's maturity and political commitment resonate his every move. The final climactic moments hold more suspense and engender more fear because Thomsen's emotional decay is a more extreme inner torment and his physical stature is more demanding than anything that Tobey Maguire could inspire. There are almost no differences in the stories, but the way the original is told, by actors who are truly right for their parts rather than Hollywood stars trying to fit into unwilling molds, makes Brothers compelling drama. As much as I liked this film, especially in comparison to its flaccid American cousin, the story is still littered with "must-happens," in Super Reviewer Alice Shen's words. Overall, Brothers proves that a clone is never as good as the original.
Incredibly compelling take on the consequences of war and how it affects the family, in particular the relationship between the two brothers. Contains a great performance from Ulrich Thomsen and and the brilliant Connie Nielsen. This is film making at its absolute best, just a shame Bier doesn't do more films-I must check out the rest of her filmography If you enjoyed this check out After The Wedding another great film by Susanne Bier.
The original BROTHERS movie. I liked it alot better than the American version, even though I thought that one was good, too. There was just something much more moving about this one. I have to say that the American movie script was very close to this script..almost word for word sometimes. But, on the whole, I think that they did a better job telling the story in this one. The camera work alone had a better artsy feel to it. Nice movie!
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