The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
A low key, tough guy cop thriller, Bullitt does not go over the top with its action sequences and stays away from the usual cop movie clichés, lifting the bar in regards to how cop movies should be made.
Bullitt takes a rather simple nugget of a story and turns it into a crime classic through the expert use of location footage, editing, music, mood and timing, not to mention the laconic, stoic performance of ultra-cool star Steve McQueen.
The action sequences are brilliant, done without trickery in real locations (including a great car chase which spawned a thousand imitations) to lend an extraordinary sense of immediacy to the shenanigans and gunfights.
Even though the story almost makes no sense and the Oscar-winning editing has several illogical cuts, Bullitt is an exquisitely satisfying motion picture, particularly if there is still an adolescent boy lodged somewhere in your psyche.
For all of the talk about its legendary car chase through the streets of San Francisco -- and it is justified -- Bullitt idles far tool long in the slow lane when it should be blowing by the minivans and the carpoolers.