The LEGO Movie 2: The Second Part
The Walking Dead
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No consensus yet.
All Critics (23)
| Top Critics (7)
| Fresh (9)
| Rotten (14)
| DVD (2)
Du Welz has definite visual-dramatic talent. (Calvaire was a Cannes festival pick.) But, like Norman Bates' car, he need to get pulled out of the swamp.
What sells this movie is the realistic attention to detail and the bravura direction of Fabrice Du Welz, who draws a gut-wrenching performance from Lucas.
By the time it reaches its final act, the film rivals its American counterparts in intensity if not quite in explicit violence.
Director-co-writer Fabrice du Welz has taken a clichéd premise and infused it with a stylish perversity that should have horror fans squealing with delight.
Director Fabrice Du Welz doesn't reinvent the backwoods-freakshow formula, but there is something undeniably entertaining about violent psychos who are also committed art lovers.
Directed by the newcomer Fabrice du Welz, the Belgian horror film Calvaire is pompous, but not without talent or shivers.
a surrealist fairy tale bringing gothic glee to its meditations on performance and passion.
A genuine creepy horror movie, employing some good ol' camp themes to great effect.
A glossy rehash that's far less interesting and frightening than the classics upon which it's unimaginatively modeled.
if you've got a black sense of humor you might just find yourself laughing down the vomit.
Not so much scary as just plain brutal.
So dead-set on being disturbing that it ends up tripping over its own hobbled feet and evoking fewer gasps than curdled little giggles.
Boring artsy-fartsy horror
Infuriating, amateurish crap; the end result of a fitfully inventive mind watching too many American horror movies and deciding to piece together an absurdist homage comprised of about four or five mildly interesting set pieces. There's not much reason to care about all the obtuse, heavily-implemented symbolism, as its only purpose seems to be loaning stray bits of meaning to a film that really doesn't have much. To be honest, none of it seems to have been done with all that much thought. Calvaire has a gaggle of astonishingly self-absorbed defenders on IMDB who write anyone not fond of the film off as uncultured or thoughtless, when there's really not a great deal to think about here. The seasons change arbitrarily because Fabrice Du Welz thought it would look cool. There are red-coated midgets in the woods because Fabrice Du Welz wanted to throw in a reference to Don't Look Now. These are just little ribbons adorning a very shallow package, and the complete discordance with which they're assembled precludes them from adding any sort of depth. The sound design is hackish and overdone, a mistaken effort at substituting volume for menace; the performances are poorly framed and striving for very different things, be it outright horror (Lucas) or black comedy (Berroyer); the only thing Du Welz really pulled off is the elegantly-lit, unshowy cinematography, using the sparse terrain to its best advantage. Unfortunately, it isn't enough to justify a watch, and Calvaire ultimately adds up to nothing but a few mildly "shocking" scenes.
Survival horror for the art house crowd, Calvaire has a unique oddness that drives its deranged story straight into the eyeballs of viewers. The horror here is in the insanity of the captors and the atmosphere of the area where the main character is stranded.
If you want silly excessive gore, this is not your movie. If you want a captive survival horror narrative that dares to flirt with believable mental illness and bothers to use the camera and cinematography to tell the story as much as dialogue, this is it.
This is middle of nowhere backwards crazy people done to a perfect chime; look no further for your pigfucking scene needs. I hereby declare that I believe this film is superior to "Deliverance".
"Most fucked up" highlight: the village dancing around the piano
A struggling lounge singer breaks down in the Belgian countryside and is taken in by a lonely inkeeper who doesn't want him to leave. For 45 minutes nothing happens, and then it suddenly explodes into a surreal nightmare. There is a decent 60 minute movie here trapped inside the bloated body of a 90 minute movie.
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