The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
McCall draws on Cardiff's life-long love of painting to adopt a similarly impressionistic style, brushing broad sweeps of anecdote and recollection about the cameraman on to his canvas to create a complex and emotionally engaging picture.
After years of DVD special features, even dedicated buffs may be somewhat blasé about a film that takes us behind the scenes to explore one man's career...but this is no ordinary documentary, and its subject is no ordinary filmmaker. Jack Cardiff was a...
Asked if movies were a "tragic" industry, Cardiff replies, "I think it's a nonsensical thing, job, to be in, because it's full of hypocrisy, hyperbole, just about everything you can think of." Yet his example demonstrates just how worthy it can be.
Director Alan Parker nicely describes the tightrope teeter of Cardiff's hothouse imagery: "It's great art, and then it will be kitsch, and then it will be art again." Or is he summing up cinema itself?
Cameraman is filled with Cardiff's achingly beautiful work, from the furious violet moods of Black Narcissus (1947) and his ballet fantasia The Red Shoes (1948) to Sylvester Stallone's agonized poses in Rambo: First Blood Part II (1985).