The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Gervais and Merchant's previous projects mastered the tightrope walk between comic cruelty and earnest drama. With Cemetery Junction, they waver wildly, unveiling some of their ugliest jokes and most saccharine emotional moments to date.
This tale has been told so many times that it demands a spark of invention or originality to spice things up, but Cemetery Junction sticks slavishly to story conventions, with nothing new or imaginative to say about the subject.
There's a strong autobiographical tone to this British period drama, and the cast is very good. But by never focussing the story in a meaningful way, the film pales in comparison to its nearest predecessor, An Education.
The period setting has been captured to a tee; it's all red bricks, ghastly wallpaper, casual racism and cut-glass fruitbowls. Everything is viewed through a haze of cigarette smoke. It's little wonder the kids want out.