The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Charlie Wilson's War tells its tale briskly, almost merrily. This is not a sober history lesson, but a political comedy laced with sex (party girls in limos, strippers in hot tubs), booze, and even good old-fashioned cocaine.
Charlie Wilson's War is an anachronism, the wrong movie at the wrong time. Not only does it tell its tale in a style that feels dated and artificial, the story itself focuses on events that history has overtaken.
As creator and head writer of The West Wing, Aaron Sorkin had a gift for making policy debate seem sexy, but what worked in the context of that liberal fantasy founders badly amid the realpolitik of this cold war drama.
Charlie Wilson's War, a crisp, biting satire that confidently mixes sex and politics, glides along so smartly and smoothly, it makes you wonder how it's possible that director Mike Nichols and writer Aaron Sorkin have never teamed up before.
The big-screen Charlie Wilson's War, clocking in at 93 fly-by minutes, is dark and funny and mean and sexy, damned near pitch-black-perfect considering that at the end of this boozy comedy you wind up with, oh, Osama bin Laden.