The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
where Part One is the triumph of the Cuban Revolution and Che's part in making it a success, Part Two is the failure of the dream in Bolivia and the desperation and the failure is felt in more jarring camerawork.
Soderbergh has no interest in sentimentality, or back story, or even really in Guevara's philosophy, except as a rigorously footnoted onscreen reflection. Practically rejecting outright the concept of poetic license, Che is radical as a biopic.
... a deeply interesting and commercially brave movie, one that recognizes the limits inherent in cinematic biography. It is meant to be experienced, not sounded for meanings, and is weakest when Soderbergh caves into his poetic impulses...
The saving graces are a commanding performance from Del Toro and the inspirational humanity of Guevara; even facing defeat and death he still has an unshakable belief that right will prevail and social justice will flourish.
A gripping, astringent portrayal of what happens when you try to force a revolution on territory which isn't fertile ground, in and of itself, Soderbergh's second instalment exerts a certain analytical intrigue.