The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
Fresh
The Tomatometer is 60% or higher.
Rotten
The Tomatometer is below 60%.
Certified Fresh
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Audience Score
Percentage of users who rate a movie or TV show positively.
Rod McCall wrote and directed this slice-of-life melodrama about a woman in a mid-life crisis who struggles to preserve her home and family. Sally Kirkland stars as Jenny, who must deal with a serious problem involving her errant husband Henry (James Brolin) as she prepares for the wedding of her youngest daughter Kat (Renee Estevez). Henry has taken off for New Mexico with his most recent lover and business associate Patsy (Laura Johnson), where they plan to pay off Jenny's mortgage, sell the property and split the money. Meanwhile, Jenny's other daughter Samantha (Pamela Gidley) arrives at the wedding with her life in an uproar -- she is undecided whether to stay in New York City and pursue her classical music career or head back home and marry handsome cowboy Bill (Michael Moore). Henry arrives at the wedding only to be slapped by Jenny for his callousness. Afterwards, Patsy, tired of all the internecine family squabbles, denounces Henry for his cavalier ways and threatens to keep their proposed business deal (an auto dealership) all to herself. But heading in the same direction is Jenny and Samantha, with Jenny chaffing at the bit, preparing to let Henry have it in a final cathartic confrontation. ~ Paul Brenner, Rovi
Despite Sally Kirkland's dominant perfromance, the story of effects of marriage breakup is familiar, the writing uninspired and the direction. This film debut wa sone of the weakest entries in the 1993 Sundance Film Fest.