Chicago Deadline (1949)

Chicago Deadline (1949)





Critic Consensus: No consensus yet.

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Movie Info

Alan Ladd headlines this crime melodrama that teeters on the brink of a classic film noir as it chronicles a reporter's almost ghoulish obsession with learning a dead woman's identity. Ladd plays a tough-as-nails Chicago reporter who shows up in a ramshackle south-side boarding house where he wants to interview a runaway and perhaps convince her to go home. He happens into the next room and there finds the tubercular corpse of a young woman. Though her body is ravaged by the disease, she is still incredibly beautiful and he feels strangely drawn to her. Beside her, he finds an address book which he takes before the police arrive. Later he begins looking up addresses in hopes of learning more about her. He soon learns that she was living under an assumed name and had questionable friends, including mobsters, a shifty financier, a bogus writer, a head-injured fighter, a hooker and a moll. As he looks deeper into her relationships with these people he finds himself getting hopelessly entangled in a deadly web of murder and blackmail until the end when he has a violent confrontation with one of the mobsters that culminates in gunplay. The reporter is seriously wounded. Still his obsession with the dead girl seems endless and he even leaves the hospital to attend her funeral. There he burns the address book and as he does, the girl's brother concedes that the reporter knew her better than anyone. While the general atmosphere of the film is appropriately grim and gritty, many felt that Ladd's reporter was not hopeless enough, and was too inwardly good-hearted to be a true noir anti-hero. Also that the story didn't play up the morbidity of his obsession with the girl coupled with a relatively happy ending helps disqualify it from the noir genre. Despite these flaws it is still a powerful, well-wrought tale.
Drama , Mystery & Suspense
Directed By:
Written By:
In Theaters:
Paramount Pictures


Alan Ladd
as Ed Adams
Donna Reed
as Rosita Jean D'Ur
June Havoc
as Leona Purdy
Arthur Kennedy
as Tommy Ditman
Irene Hervey
as Belle Dorset
Berry Kroeger
as Solly Wellman
Harold Vermilyea
as Anstruder
Shepperd Strudwick
as Blacky Franchot
John Beal
as Paul Jean D'Ur
Tom Powers
as Howard
Gavin Muir
as G.G. Temple
Howard Freeman
as Hotspur Shaner
Margaret Field
as Minerva
Harry Antrim
as Gribbe
Roy Roberts
as Jerry Cavanaugh
Celia Lovsky
as Mrs. Schleffler
Ottola Nesmith
as Sister John
Jack Overman
as Lou Horan
Dick Keene
as Spingler
Leona Roberts
as Maggie
Carole Mathews
as Secretary
Kasey Rogers
as Marcia Grantland
Paul Bryar
as Bartender
Jack Gargan
as Bartender
Donald Wilmot
as Copy Boy
Jerry James
as Reporter
Eric Alden
as Reporter
Bill Meader
as Reporter
Charles Cooley
as Reporter
Hal Rand
as Reporter
Ralph Montgomery
as Reporter
Lyle Moraine
as Reporter
Douglas Spencer
as Reporter
Frances Sanford
as Telephone Operator
Marie Blake
as Operator
Joana Rexer
as Specialty Act
Robert Rexer
as Specialty Act
Dulce Daye
as Woman
Julia Faye
as Nurse
Pat Lane
as Assistant Undertaker
Arthur Space
as Peterson
Jack Roberts
as Handler
George Magrill
as Handler
Jim Davies
as Second
Ralph Peters
as Taxi Driver
Archie Twitchell
as Reporter
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Critic Reviews for Chicago Deadline

All Critics (1)

In a Laura type of minor film noir, director Lewis Allen fails to make his love sick hero who is mooning over a corpse into anything but a superhero figure.

Full Review… | April 29, 2002
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