The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Jack Nicholson's small-time detective Jake Gittes, like other noir heroes, suffers from a shadowy past and fears: For him, Chinatown is not just a place, but a spiritual landscape and a melancholy, fatalistic state of mind.
In 1974 a director, a screenwriter, and a producer (Robert Evans, who for once deserves a few of the plaudits he's apportioned himself) could decide to beat a genre senseless and then dump it in the wilds of Greek tragedy.
A new private-eye melodrama that celebrates not only a time and a place (Los Angeles) but also a kind of criminality that to us jaded souls today appears to be nothing worse than an eccentric form of legitimate private enterprise.
It takes a Herculean effort to transform this type into a character and to replace the formula with a story, and Chinatown's success in both of these regards is one of the reasons it is universally viewed as a classic.
Dunaway plays Evelyn as a woman starved for, as well as terrified of, intimacy. The fleeting hints of warmth and decency build our subconscious faith in her innocence, while the facts keep pointing a finger.