The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
One only wishes the movie had been rendered more artfully. The dialogue is impossibly clunky, the characters are completely one-dimensional, and the magic is all too mechanized to allow anyone over the age of 8 or 9 to believe in Narnia.
It tells Lewis' story, which has its share of sticky and ponderous aspects, in a predictable, visually cautious way. You keep waiting to be transported, yet in cinematic terms, the transportation never arrives.
By staying focused on the children -- frightened evacuees from the London Blitz whose parallel war in Narnia both taps into and finally quiets their unspoken terrors -- Adamson keeps faith with the humanity of Lewsis' tale.
It may be as close to adult-friendly kid fare as Hollywood will ever get -- although that has more to do with narrative than family values. (Having read both Tolkien and Lewis aloud at bedtime, I can attest to the latter's superiority as a storyteller.)
Even the climactic fight between Peter's army of truth and the Witch's bevy of demons has an air of heraldic artifice, as if we were witnessing not a brawl to the death, red in tooth and claw, but an enamelled clash of ideas.