The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The Chronicles of Narnia: The Voyage of the Dawn Treader is still very much a "Narnia" movie. In other words, it's filled with fantastical creatures, bloodless battles, quasi-mystical undercurrents and an unfortunate helping of hooey.
Despite some rejiggering of the book's plot, it's a film that should please Narnia fans and, if it does well, may lead to the return of Eustace in the next installment, The Silver Chair. Here's hoping.
The 3-D effects are standard, the children and the prince are a bit bland, and Michael Apted's direction veers into listlessness, but there is, at times, a pleasing elegance to the production, too. It doesn't assault you.
Apted brings back a sense of the old-fashioned fun of the low-tech 1960s myths-and-monsters matinees, when no roiling sea ever failed to harbor a giant serpent -- and men stood in the bows of ships facing peril with chins of iron.
This retelling of "Dawn Treader" is relentlessly goal-oriented -- our heroes must collect seven swords, and free a bunch of people imprisoned in mysterious green mist -- in a way Lewis' book simply isn't.
There's a businesslike, barrel-ahead determination to the proceedings, as if the players (and, in the bigger picture, the producers) were ticking off items on an agenda: three volumes down, four to go if Walden Media commits to the whole shebang.