Mary Poppins Returns
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Intelligent and unconventional.
Intelligent and unconventional.
All Critics (68)
| Top Critics (15)
| Fresh (41)
| Rotten (27)
| DVD (5)
Based on a true story, this is an intelligent legal thriller, very much in the mode of 1970s issue-oriented films, that may be too subtle and complex for the damands of today's market.
Delivering the verdict two thirds into the movie is anti-climactic, while Schlichtmann's belated atonement feels beside the point.
As proficient a job as writer-director Steve Zaillian and his team do, A Civil Action has unmistakably unraveled by its close.
Schlichtmann may have gone through this conversion in real life, but I just didn't buy it the way Zaillian presents it.
I'm all for films that don't flow from the usual Hollywood test tubes, but A Civil Action is basically the standard formula with a dash of downbeat.
A slick, shameless job that takes way too long to make its point (namely, we need the EPA).
This is a case in which the material really is better served in book form.
The movie becomes one more David-and-Goliath morality play.
While Travolta is passable as Schlichtmann, it is the outstanding work from Duvall, Macy and briefly Tony Shalhoub that drive the story.
I expected a harder hitting indictment against the uncaring power of corporate America. Instead, we get a middlin' courtroom drama that lacks the intensity of such films as the 1982 Sidney Lumet/Paul Newman film, The Verdict.
the film is slightly overlong and the ending is anti-cathartic.
... hints at the complex moral issues that vein the story.
"Schindler's List" scribe Steven Zaillian seems to craft meticulous pieces of work. It's hard to put into words but his films seem to have substance. He doesn't try to cut corners, which is precisely his downfall here. There's too much weight that, despite an excellent beggining, it gets bogged down and ultimately hoisted by it's own petard.
A group of parents, whose children have died via pollution, enlist Jan Schlichtmann (John Travolta), a hot-shot ambulance chasing lawyer to fight their case against two huge corporations. But Schlichtmann soon realises that he may have met his match in opposing lawyer, Jerome Facher (Robert Duvall), with defeat possibly spelling financial ruin for him and his firm.
This was only Zaillain's second film behind the camera and although there's much to admire, he still has much to learn. The problem he has, is with the pace. It was the same mistake he made later with his star studded "All the Kings Men". He has amassed an abundance of quality actors fleshed them out with substantial characterisations, yet they don't get a chance to shine. There is too much legal jargon going on for any of them to leap to the forefront. Duvall and Travolta duel with the viewers delight but the impressive supporting ensemble are wasted. Still, it's a cut above a John Grisham adaptation and if you don't mind a bit of legal mumbo jumbo and consider yourself a fan of slow talking legal drama's, then this will certainly appeal.
Based on a true story and treads a similiar path that "Erin Brockovich" would tread a couple of years later. I'd have to say that the Steven Soderbergh/Julia Roberts film is the better of the two though.
Ok Court drama.
A disappointingly pulse-less legal drama that features an incredibly dull lead performance from John Travolta, despite the rest of the cast being fairly on their game. The main problem that undermines the film is the fact that the startling transformation that Travolta's character undergoes does not for one minute feel genuine. Despite this film being based on a true story, it's both the script's and Travolta's fault for not spending more time on why this character changed so suddenly and gave up so much. Instead, it gives us a brief two minute scene to convince us, which it doesn't, and instead goes full-steam ahead with the case when it hasn't even achieved a firm grasp of the basic fundamentals that make these sort of films compelling or watchable. That said, it's not a bad movie, everything else is relatively well done, but the fact that I didn't believe for one second in Travolta's character is what brought it down to "not so great" territory for me.
Excellent movie based on true stories. John tries to find evidence to sue a factory for dumping waste in the local water supply.
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