The LEGO Movie 2: The Second Part
The Walking Dead
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Cleo from 5 to 7 represents a beautifully filmed highlight of the French New Wave that encapsulates the appeal of the era while departing from its narrative conventions.
All Critics (24)
| Top Critics (4)
| Fresh (23)
| Rotten (1)
| DVD (1)
The Parisian streetscapes are beautiful and thrilling, and the tarot scene at the beginning, combined with overheard fragments of anxious city lives, give this something of TS Eliot.
Varda transforms the typical French cinema gamine into a complex, tragic figure: the girl who's all too good at playing plaything, forced to face the hollowness of her youth.
Not every minute is as spirited as Varda would like us to believe, but in the cinema of enchantment this ranks pretty high.
Generally, Mlle. Varda is so absorbed with her camera stunts, as she is in that scene in the hat shop or when she is screening that comedy short, that the essential concentration on the heroine is neglected and the interest lost.
...stands apart from the French New Wave in that it is very much the story of a woman, not about a woman.
[VIDEO ESSAY] The filmic transportation from the "ephemeral" to the "miraculous" - from the disguised to the unveiled - speaks volumes in unaffected feminist terms about female reality in Paris in 1961.
The locations, costumes, and fantastic cinematography and editing present a time-capsule of pure wow.
Definitely a document from lost-past times.
Race to see Agnes Varda's exquisite 1962 New Wave masterpiece, about an hour and a half in the life of a gorgeous, possibly dying chanteuse.
One of the Nouvelle Vague's boldest achievements.
Like many New Wave films, Cléo from 5 to 7 alternates between ambiguity and charm on the one hand, vagueness and whimsy on the other.
This remarkable feature typifies all that was good in French film-making during its celebrated New Wave.
Varda's direction is impeccable, with a wonderful attention to the mise-en-scène, camera movements and use of mirrors to show an absorbing real-time hour-and-a-half (not two hours as the title indicates) in the life of a narcissistic singer forced to face the emptiness of her life.
an absolute delight and my current favorite french new wave. wonderful energy and amazing camerawork as we follow a rather shallow popstar in real time as she tries to come to terms with her life while wandering the streets of paris. vive le varda!
while the plot is quite simple, a young capricious woman awaiting test results, this is filmmaking at its finest. varda creates a new fiction by merging real time, cinema verite, and multiperspectives. WOW!
This is from the Criterion Film Collection. I guess its because I am not french or maybe its just a bad run of French Films lately but I think I am going to pass on the french films for a while, I tried I really did, good Black and white background scenes, but is was painfull to hang in there till the end.
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