Colossal Youth (Juventude Em Marcha) (2006) - Rotten Tomatoes

Colossal Youth (Juventude Em Marcha) (2006)



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Movie Info

Portuguese filmmaker Pedro Costa offers a long and richly detailed look at his nation's poor and needy in this affecting blend of drama and documentary. Fontainhas was a community in Lisbon primarily populated by exiles from Cape Verde; Costa shot two of his earlier films there, Bones and In Vanda's Room, but Portuguese authorities tore down the village to make room for a new construction project, and its people were relocated to Casal Boba, a housing project on the edge of Lisbon. Ventura was a native of Fontainhas who appeared in Bones; he and his wife, Clotilde (Isabel Cardoso), moved to Casal Boba, but Clotilde became disenchanted with her new surroundings and left him to move back to Cape Verde. Now Ventura, left to his own devices, struggles to make a decent and dignified home for himself and the friends he calls his "children" in the slums of Casal Boba, including Vanda (Vanda Duarte), a recovering drug addict who was the focus of In Vanda's Room, and Lento (Alberto Barros), a close friend who is the only one Ventura trusts to hear the lovesick poetry he's written for his absent wife. Colossal Youth received its North American premiere at the 2006 Toronto Film Festival. ~ Mark Deming, Rovi


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Critic Reviews for Colossal Youth (Juventude Em Marcha)

All Critics (19) | Top Critics (9)

You need a bit of patience with director Pedro Costa.

July 6, 2010 | Rating: 4/5 | Full Review…
Time Out
Top Critic

If you are able to slow down to Colossal Youth's deliberate rhythms, there's a strong chance you'll be dragged in by the film's undertow and resurface completely mesmerized.

January 18, 2008 | Rating: 4/5 | Full Review…
Time Out
Top Critic

Beautifully photographed, the elliptical, often mysterious and wholly beguiling film Colossal Youth looks and sounds as if it were made on another planet.

August 8, 2007 | Rating: 4.5/5
New York Times
Top Critic

Eventually, across the monumental boredom, mesmerizing, nearly still images and poetic rhythms of this 155-minute film, something like pathos or meaning can be sensed, if not really apprehended.

August 2, 2007 | Full Review…
Top Critic

Rather than impose actors on the scene, Costa involves the people who already live there. Instead of training them to perform a story, he locates a skeletal narrative from a rehearsal process based on their personal stories.

July 31, 2007 | Full Review…
Village Voice
Top Critic

It's a challenging 155 minutes, but it's a film that you can easily drift too and from while retaining a clear sense of place, person and purpose.

October 30, 2006
Time Out
Top Critic

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