The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
This dark edge will be the biggest test of the film as a commercial prospect: it may be too terrifying for the target audience. But for braver kids - and parents - this is a thrilling, even challenging ride.
Employing stop-motion animation that renders human beings with the distinctive characteristics evident in both The Nightmare Before Christmas and James and the Giant Peach, Selick finds the perfect look to bring Gaiman's vision to life.
Selick puts his real faith not in the gimmickry that Coraline's audiences will think they've shown up for, but in the stronger virtues that they'd likely view as old-fashioned: character, and story, and so on.
Would the 8-year-old me have fallen for Coraline? Maybe not. Like my own 8-year-old, at that age I was more into comedy than anything designed to give me the comic willies. But the adult me is a big fan.
Coraline, director Henry Selick's adaptation of Neil Gaiman's novel, is essentially a horror movie for kids, but it is also gentle and funny and whimsical, and even in its darkest moments, Selick never forgets who his target audience is.
For all the polished electrons of the latest works from Pixar, Blue Sky or DreamWorks, Selick and Co. show that stop-motion animation still looks, moves and feels like nothing at all the computer animator's terrabytes can mimic.