The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
... life lived in a bubble in financial dealings and digital communications and brief face-to-face conversations and sexual intermissions in a space shuttle of a limousine creeping through the gridlock of an anonymous New York City.
Continuing along a line introduced in last year's "A Dangerous Method", David Cronenberg pushes his cinema towards a talky abstraction in his uncanny, perversely funny and frighteningly insular adaptation of Don DeLillo, "Cosmopolis".
Over and above its topical urgency or the bit about the misfortune of globalism, it does what this director has always done in his films: split open the head of a character, plunge inside and try to visualise the bad and the ugly things to be found there.
Robert Pattinson works mighty hard to make Cosmopolis more than just an erudite slap at modern capitalism. The Twilight heartthrob ultimately fails to rescue a meandering story hitting stale versions of the same talking points.
It's fascinating to watch Pattinson actually acting, rather than merely brooding through another "Twilight" movie, but he's as trapped in Cronenberg's sterile intellectualism as Packer is in his leather-upholstered hell.