The Crowd Reviews

December 15, 2014
Vidor, playing to that crowd, sternly warns against going it alone.
February 26, 2013
The camera style owes something to Murnau, but the sense of space -- the vast environments that define and attack his protagonists -- is Vidor's own.
July 7, 2008
A drab actionless story of ungodly length and apparently telling nothing.
March 25, 2006
Throughout this subject Mr. Vidor shrewdly avoids the stereotyped conception of setting forth scenes, and in more than one case he uses his camera in an inspired fashion.
February 9, 2006
The performances are absolutely flawless, and astonishing location work in the busy New York streets (including a giddy tour of Coney Island on a blind date) lends a gritty ring of truth to his intensely human odyssey.
January 1, 2000
What's extraordinary is that what could have come off as a case study instead packs a consistently strong emotional punch.